when renting for that long, i'd imagine it'd be cheaper to buy.
Looking for an experienced game designer and a web developer soon to join my film team at BAVC's Producers Institute in San Francisco. Ticket, food, and accommodation are covered for 10 days starting May 28, 2010. This is an opportunity to be part of a project with potential for a long-term job. JehanHarney@aol.com
Does someone goes to HOTDOCS this year? We are 2 filmmakers going from LA.
It will be nice to meet with hotdocs members or fans!
let me know if you are interested or if you already are hosting an event.
DocuClub is seeking a rough cut of a short doc (10-20 minutes) for Wednesday, April 21, 2010.
Every month at DocuClub a filmmaker presents a rough cut of her film to DocuClub members and the public. A facilitated discussion follows each screening. Past films that have been shown at DocuClub include BORN INTO BROTHELS (Academy Award for Best Documentary, 2004), PRODIGAL SONS (Telluride Film Festival 2008), and DISTURBING THE UNIVERSE: RADICAL LAWYER WILLIAM KUNSTLER (Sundance Film Festival 2009). For more details, go to: www.docuclub.org.
Our April DocuClub will take place on Wednesday, April 21, 7 p.m., at DCTV, located at 87 Lafayette Street (at Walker; take N/R/Q/6 trains to Canal). Our moderator will be Iris Morales, a life-long activist, educator, media producer and writer. She is the producer, writer and co-director of !PALANTE, SIEMPRE PALANTE! THE YOUNG LORDS, an award-winning documentary that chronicles Puerto Rican activism in the United States in the Sixties.
If you would like to be considered, please mail a clearly labeled DVD screener to the address below. (Please note that your screener will not be returned unless you provide a SASE.)
Filmmaker Services Manager
Arts Engine, Inc.
104 West 14th Street, 4th Floor
New York, NY 10011
In reply to Florencia Davidzon's post on Fri 2 Apr 2010 :
Quite a few are going, Florencia, including me (I'll be screening my film THE KIDS GROW UP). Can you tell us more about yourself in the Introduce Yourself topic?
one last reminder – folks near Chicago. big-ass party tomorrow for a documentary film. will be totally amazing with dancing and good beer and good coffee and so much more. BE THERE!
Can't wait to see KIDS at Hot Docs, Doug!! Hopefully I'll be there working on something, nothing yet so far. But, I should still be around.
NEW YORK CITY PREMIERE of my new film
"DIRTY MARTINI AND THE NEW BURLESQUE":
Sunday, June 13th, 8:00 pm
With LIVE Burlesque performances by Dirty Martini and other performers included in the film
Abrons Arts Center/Henry Street Settlement
212.598.0400 | 466 Grand Street (at Pitt Street) New York, NY 10002
I'll be in Boston April 14-20 shooting for my doc WinCatherine and am looking to rent a few P2 cards from someone. (The DP I hired only has (2)16GB cards and I know we'll need more than that.) I'm looking to rent (2)32GB cards or similar. Please email me at email@example.com if you can help or know anyone who can. Thanks!
PS. I'll be coming from Philly so renting from there is an option too. Rule was way too expensive in Boston.
Our April DocuClub will take place on Wednesday, April 21, 7 p.m., at DCTV [http://www.dctvny.org/], located at 87 Lafayette Street (at Walker; take N/R/Q/6 trains to Canal).
We will be showing a rough cut of short documentary BISMILLAH by Jolene Pinder and Sarah Zaman. The film follows the beginnings of one Muslim womanâ€™s groundbreaking struggle against Americaâ€™s political structure. BISMILLAH tells the story of Farheen Hakeem, a feisty 31-year-old Muslim Girl Scout troop leader who puts herself under public scrutiny by taking part in the consummate patriotic act: running for office. The daughter of Indian immigrants, Farheen is the first Muslim woman to run for office in Minnesota. Putting Midwestern niceties aside, she is neither apologetic for her religious beliefs nor silent about the biases she sees in her community. She lives the phrase emblazoned on her favorite t-shirt: â€œThis is what a radical Muslim feminist looks like.â€
BISMILLAH was a finalist for the International Documentary Association's David Wolper Award, won first place in the Academy of Television Arts and Sciences' College Television Awards (Student Emmys) and was the recipient of a CINE Golden Eagle Award.
Co-director Sarah Zaman was born and brought up in Pakistan, and came to the U.S. in the fall of 2002 to pursue an undergraduate degree in Communication Studies at Eastern Illinois University. While earning her B.A. in Mass Communications, she worked as a news producer, reporter, cameraperson, writer and assignment editor for three years at WEIU-TV (the PBS affiliate) in Charleston, Illinois. Sarah graduated from the University of Florida's Documentary Institute in 2007. Currently, she works as an anchor and producer for Voice of America's Urdu TV show in Washington, DC.
Co-director Jolene Pinder is currently the Festival and Outreach Director at Arts Engine. Prior to this work with AE's Media That Matters Film Festival [wwwmediathatmatteresfest.org], she was an Associate Producer at Big Mouth Films (the production arm of Arts Engine) [http://www.artsengine.net/bigmouthfilms]. She is currently a co-producer on the Arts Engine work-in-progress Asexuality: The Making of a Movement [http://www.artsengine.net/asexuality]. In her role in the production department, she was Associate Producer for Outreach and Distribution on Arts Engine's latest releases, Arctic Son [http://www.artsengine.net/arctic_son] and Election Day. Recently, she screened the short film Little Fountains (co-directed with Josh Solondz) at MoMA as part of her work with the UnionDocs Collaborative. She holds a Bachelor of Arts degree with honors from the University of Chicago and a Masters in Journalism and Communications from the University of Florida's Documentary Institute.
Our moderator will be Iris Morales, a life-long activist, educator, media producer and writer. She is the producer, writer and co-director of !PALANTE, SIEMPRE PALANTE! THE YOUNG LORDS, an award-winning documentary that chronicles Puerto Rican activism in the United States in the Sixties. Broadcast on P.O.V in 1996, it continues to be widely screened at film festivals, colleges, high schools, and community venues across the country. Morales has also produced several short films and web-based projects, and has published articles about Puerto Rican migration, immigration and detention, gender equality and other social justice issues. Recently, she produced and launched US-PuertoRicans.org, a web-based multi-media project that integrates commentary, news, video, photographs, maps, and history dedicated to the Puerto Rican Diaspora. She is also an attorney and currently serves on advisory boards of the Caribbean Cultural Center and Teatro Vida, has previously served on the boards of Women Make Movies, the Association of Hispanic Arts, and Black and Hispanic Images (BHI) and on artists panels at the National Endowment for the Arts [www.arts.gov], P.O.V. Television Series [www.pbs.org/pov], Urbanworld Film Festival [www.uwff.com], Media That Matters Film Festival [http://www.mediathatmattersfest.org/], New York City Department of Cultural Affairs and Independent Television Service (ITVS), among others.
Admission is free for current DocuClub members and $6 for non-members.
If you plan to attend, please RSVP at firstname.lastname@example.org [email@example.com]. Our previous screenings have sold out and although admission for non-members is on a first-come, first-serve basis, it is highly recommended if you let us know that youâ€™ll be attending.
Membership is an annual $50 and it includes free admission to all DocuClub events. It takes five minutes to join online:
In reply to Marisa Murgatroyd's post on Mon 8 Mar 2010 :
I came across Peter's job posting on the International Documentary Association's job board the other day. I sent in my application materials yesterday, but I noticed that the posting is almost a month old. Do you happen to know if the position has already been filled? It looks like a tremendous opportunity!
don't know if the position has already been filled, but they are well on their way to deciding... they got more than 600 applications! (and i was already rejected...)
In reply to Felix Endara's post on Wed 7 Apr 2010 :
My only question is: why is this incredibly interesting story "only" a short? How short is short?
Well if you were rejected, Christopher, then I have absolutely zero chance :( Thanks for letting me know! I'll just have to keep on the lookout for other great opportunities.
i wouldn't say that, kaitlin. people who have met me often tell me how much smarter i seem in my picture... and those are my good friends!
but it just seems like this job was "perfect" for so many of us in the filmmaking world – on the cutting edge of distribution, being able to work from home, and having a relatively stable income. oh well... back to making films and eating ramen noodles.
lol Chris. Having never met you, and only seen your picture. I always thought you were a brainiac. Thanks for the warning about the let down.
In reply to Christopher Wong's post on Thu 8 Apr 2010 :
could you let me know about the job?! I want to try my chance!
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I will be going out of town from April 24 – May 9, and am looking to sublet my studio, located in central Brooklyn Heights. It's spacious (600 sq ft), with a gorgeous view of the East River, Bridges, and entire skyline from its balcony. It is located in a doorman building with a great courtyard, near many subway lines (2/3, A/C, R, F, 4,5,6) and near the Brooklyn Promenade, too. 700$ includes internet, cable, electricity, AC, the works.
I priced the rent a little lower because of the following – I have two cats that I need to be looked after. So... if you're looking at this posting, you should probably be okay with the felines :) They're a great pair, no health probs or anything like that. Fun and cute!
Email me at firstname.lastname@example.org if interested! Feel free to pass on to anyone you know.
Free Streaming of DOC ALLIANCE SELECTION 2009, APRIL 21 â€“ 25
To celebrate the upcoming 16th edition of Visions du Reel NYON (April 15 â€“ 21), DocAllianceFilms.com will offer free streaming of the FIVE documentaries from the Doc Alliance Selection 2009, from April 21 to 25.
Maggie in Wonderland by Ester Martin Bergsmark, Beatrice "Maggie" Andersson und Mark Hammarberg
(Sweden, Finland 2008, 72 min)
Maggie, a young woman from Kenya, films her world in the Swedish city of MalmÃ¶. A creative portrayal of the meaning of social isolation.
WINNER OF THE DOC ALLIANCE SELECTION 2009
Auto*Mat by Martin MareÄek (Czech Republic 2009, 90 min)
Martin Marecek invents a militant, jubilatory action to combat the automatisms generated by Pragueâ€™s automobile culture.
Big John by HÃ¥vard Bustnes (Norway 2008, 86 min)
The rise and fall of a young boxer coached by his father â€˜Big Johnâ€™ â€“ who was also his trainer, impresario and agent.
Hotel Sahara by Bettina Haasen (Germany 2008, 85 min)
Nouhadibou in Mauritania: a melting pot of dreams, hopes and the terminus of countless young African emigrants who end up here.
Survival Song by Yu Guangyi (China 2008, 94 min)
A family of Chinese peasants is condemned to poverty and broken apart in the name of modernity. A deeply moving and sublime social tale.
DC-area folks, it's high time for another Docs In Progress Work in Progress screening, don't you think? Join us this Friday night.
Docs In Progress is back with a triple feature of works-in-progress in Washington DC. The program is sponsored by The Documentary Center at The George Washington University.
Following a screening of each film, the audience will be invited to participate in a feedback session with the filmmakers to help them get to the next stage of completing their films.
JOURNEY TO THE CENTER OF ARTOMATIC (3 minute trailer)
by Jay Krasnow
Artomatic began with 350 visual artists a decade ago and has grown into a Washington institution which attracts more than 1,000 artists, musicians, comedians, poets, and filmmakers and is a model for grassroots arts festivals.
LIFE ON DEATH BEACH (7 minute segment)
by Jeff Arak
A coastal town in Oaxaca is a microcosm of struggles for recognition within Mexican society, as told from a group of volunteer lifeguards or the patients and therapists at a center working to rehabilitate people with disabilities.
FORGOTTEN SOLDIERS (80 minute rough cut)
by Donald Plata
Considered one of the most elite groups of the U.S. army during the Second World War, the Phillipine Scouts were credited with one of the greatest success stories for the Allies in the Pacific – keeping Japan from invading Australia. Although they fought America's first major ground battle of the war, their story remains largely unknown.
Friday, April 16, 2010
at The George Washington University
Media and Public Affairs Building
805 21st Street, NW (corner of 21st and H Streets)
Auditorium B-07 (one floor down from street level)
Washington DC 20052
Convenient to garage parking and the Foggy Bottom Metro.
Suggested Donation: $10 (cash only at the door)
This Saturday, April 17th, in Los Angeles. Full day workshop with Morrie Warshawski fundraising guru. Workshop entitled: Shaking the Money Tree: The Art of Getting Grants and Donations for your Film/Video Project.
I haven't taken a Morrie workshop before, but I know others here have and speak highly about the experience. Sign up now if you're interested, space is limited. Pricing is $85 for IDA members and $110 for non-members. Taking place at The Standard, Downtown.
As I said elsewhere, Morrie is the very best at what he does. He simply knows his stuff, and there's a lot to know. It's really worth going.
We're looking for an inexpensive (re: really CHEAP) video screening room in NYC – any ideas out there? Say around 70 seats, project HDCAM or Digibeta, an early evening in May, during the week? We've looked at DCTV, 92ndSty Tribeca, Bowery Poets . . . thanks!
You might try http://www.thetanknyc.org/ We screened Second Skin there for 4 days. They split the door with us, and it was a totally decent space with nice staff. However, it is not a true movie screening room, more like a black box theater that has a projector. Sadly they have no HDCAM or Digibeta for sure.