DVX 100a in very good condition for sale. 142 hours of operation. Asking $1200. contact email@example.com
TODAY! Join Jilann for a special Q&A call about a new Coaching Circle that she is forming to HELP YOU RAISE MONEY FOR YOUR FILM. This DocuMentors Coaching Circle will be designed to give you concrete tools to raise money effectively, as well as support in a small group environment so you're not going it alone. Join for a special 30 minute call to let you know what you can get out of the Coaching Circle and how it will be run. If you haven't yet registered, and you are interested, please REGISTER NOW for the Q&A call (no obligations to join the group ) and send her your questions thru the event web page that you receive when you register. DATE: Tuesday, February 2nd, 2010TIME: 5pm PST (6pm Mtn, 7pm Central, 8pm EST) for 30 minutes. To register click on the link below and go to free teleseminar.
NYC (Brooklyn) – I am in need of an assistant editor or a newbie editor who is looking for some experience but won't cost me much at all. I need to edit some materials for the DVD extras on a couple of projects (it's mostly cutting down interviews and similar stuff). Do any of you know anyone that is just starting out who might be interested? This is going to be in my home, so it's gotta be someone sane!
Affordable Web Design for Documentary Filmmakers
My name is Amanda Woods... I've posted here once before but it was many months ago and I'm sure my post is buried now, so I'm posting again.
I'm a beginning web design with a passion for documentaries. If you're in need of a website for yourself as a documentary filmmaker, or for a film, I'd love to work on it for you. I strive to keep my prices affordable and am willing to work within your budget. I'm also happy to work out payment plans if you're tight on cash.
My designs are clean and simple, nothing too fancy... not yet, anyway (I'm getting there). I would love the opportunity to work on more film sites, particularly ones in which a filmmaker can provide me with large still images from the film so that I can get a bit more creative/sophisticated with the design. Of course, I'll also work with your input.
You can learn more about my services and take a look at my samples on my website. Thus far, I've done mostly writer sites, so I'm not sure how well those will give you an idea of what I can do with a film site. But if you're interested in a website and if you're able to send me large images and a little bit of copy, I can play with those and give you some examples of what a site for you may look like before you commit to hiring me.
Here is my url:
You can contact me using the form on the website, or email me directly at:
Thank you and I look forward to hearing from you!
Live Streaming Event tonight with ITVS!
The Independent Television Service is streaming a special live filmmaker event online, tonight at 7:30pm from San Francisco!
In conjunction with the SF Film Society and New Doc Editing, ITVS will be discussing innovative structural approaches to documentary filmmaking.
What: Thinking Outside the Doc Box
When: Monday Feb 8, 2010 @ 7:30pm PST
More info and Watch Online: http://bit.ly/docbox
If you're in SF, there still may be tickets available from SFFS.org. It's going to be held at Mezzanine in downtown SF.
Hope you can join us!
– Jonathan Archer (ITVS)
I'm on the hunt for an assistant/intern to work for D-Word founder, omnipresent host, and all-around galactic overlord Doug Block ("51 Birch Street") in the distribution and outreach phase of his new film, "The Kids Grow Up", as well as some work on several other feature docs. Our ideal candidate has a clear interest and ambition to work in documentary production, is a fast learner and fearless starter, and does not shy away from hard work. Internship would begin ASAP. Social media skills a plus.
Our office is located in Dumbo, Brooklyn. This is an unpaid internship, but a small travel- and meals stipend will be given – not to mention priceless knowledge and contacts. Also, we're small enough that a prospective candidate would find her- or himself in the middle of the hurricane, so to speak, but we're also big enough to work with some of the top broadcasters in the world.
If you know someone fitting, or want to apply yourself, please send an email to firstname.lastname@example.org telling me a bit about who you are, what you hope to learn from interning with us and working for Doug, and what you hope to achieve in the future. Thanks – we're looking forward to hearing from you!
On Friday nights in January, February and March, UnionDocs will screen six excellent films, all of which have been named named Pare Lorentz Award Winners by the International Documentary Association.
We are very fortunate to also have the opportunity to conclude the festival by showing four important works by this pioneer, Pare Lorentz. All of these are documentaries that inspire the best in all of us â€“ films that address issues of social justice, political strife, and survival in a world with declining natural resources. Each screening will be followed by a discussion, with filmmakers and special guests in attendance.
UnionDocs is giving away 5 tickets per show (good for you and a guest) to the first 5 people who reach out to me. E-mail me at email@example.com and let me know you are interested in attending.
Sugihara: The Conspiracy of Kindness
Friday, February 12th, 2010 at 7:30 pm
Directed by Rob Kirk
Mandela: Son of Africa, Father of a Nation
Friday, February 19th, 2010 at 7:30 pm
Directed by Jo Menell
Berga: Soldiers of Another War
Friday, February 26th, 2010 at 7:30 pm
Directed by Charles Guggenheim
The Plow That Broke The Plains (1936) & Nuremberg (1948)
Friday, March 5th, 2010 at 7:30 pm
Directed by Pare Lorentz
The River (1938) & The Fight For Life (1941 )
Friday, March 12th, 2010 at 7:30 pm
Directed by Pare Lorentz
For more program info, please visit www.uniondocs.org.
UnionDocs is located at 322 Union Avenue, in Williamsburg, Brooklyn.
Dhondup Wangchen is a Tibetan filmmaker recently sentenced to 6 years for subversion in China. Amnesty International fears that he is being tortured.
Wangchenâ€™s 25-minute documentary, Leaving Fear Behind (www.leavingfearbehind.com), shows Tibetans in the Amdo region expressing their views on the Dalai Lama, the Beijing Olympics and Chinese legislation.
Please help spread the word and please sign the petition at:
Reporters without Borders
School of Theatre, Television, and Film
San Diego State University
5500 Campanile Dr.
San Diego, CA 92182-7601
Ph 619 594-5497
Fax 619 594-1391
"Freedom of expression is the matrix, the indispensable condition, of nearly every other form of freedom." â€“ Benjamin Nathan Cardozo
Good call, Mike. Thanks for posting.
DocuClub in February!
Our February DocuClub will take place on Wednesday, February 24, 7 p.m., at DCTV, located at 87 Lafayette Street (at Walker; take N/R/Q/6 trains to Canal).
We will screen a rough cut of PAUL GOODMAN CHANGED MY LIFE by Jonathan Lee. The first documentary about Paul Goodman, the late social critic, poet, philosopher of education, or, as he called himself, "man of letters in the old-fashioned sense," it follows a biographical through-line and is structured around interviews with family, friends, peers, and activists from the peace, educational reform, and gay movements who today are found in Maine, Minnesota, Massachusetts, California, West Virginia, New York City, Vermont, Paris, and Catalonia, Spain. The interviews are interwoven with archival footage of Goodman and major events in which he was involved and photos made available by his widow Sally. Some interviewees include Noam Chomsky, Judith Malina, and Grace Paley. See a trailer here: http://www.paulgoodmanfilm.com/trailer.shtml.
Director/Producer Jonathan Lee served as producer of the FEAR OF DISCLOSURE PROJECT, a series of videos that explore the act of revealing that one is HIV+ or has AIDS, which began with a video by the late Phil Zwickler and David Wojnarowicz. Under Lee's direction, the project produced and distributed (IN)VISIBLE WOMEN, Ellen Spiro and Marina Alvarez, NON, JE NE REGRETTE RIEN (NO REGRET), Marlon T. Riggs, and OUT IN SILENCE & NOT A SIMPLE STORY, Christine Choy. From 1995-2003, Lee was the founder/director of the Maine Speakout Project, a statewide organization that trained and deployed volunteer speakers to share their personal experiences as sexual minority Mainers with mainstream groups throughout the state. In 2003, Lee returned to New York City to begin working on PAUL GOODMAN CHANGED MY LIFE.
Associate Producer Robert Hawk has been a longtime advisor to filmmakers and film festivals, has had his own business, ICI (Independent Consultation for Independents) for over 13 years, and been a part of the independent film scene for 23 years. Producer credits include Dan Geller and Dayna Goldfine's acclaimed documentary, BALLETS RUSSES. Starting with his involvement in documentary as a researcher on Rob Epstein's Oscar-winning THE TIMES OF HARVEY MILK, he has been credited with discovering and/or nurturing the talents of such filmmakers as Epstein, Nathaniel Kahn (MY ARCHITECT), Kevin Smith (beginning with CLERKS), Ed Burns (BROTHERS McMULLEN), David Siegel and Scott McGehee (DEEP END; BEE SEASON), and Geller & Goldfine. He has also consulted on hundreds of documentaries, including Oscar winners/nominees such as COMMON THREADS: TALES FROM THE QUILT, COMPLAINTS OF A DUTIFUL DAUGHTER, and REGRET TO INFORM.
Editor Kimberly Reed is a filmmaker living in New York City. She was named one of Filmmaker Magazineâ€™s â€œ25 New Faces of Independent Film,â€ and has been awarded a Yaddo Artistsâ€™ Community Fellowship, a Squaw Valley Community of Writers Workshop Fellowship, and a spot in Al Goreâ€™s Current TV Symposium on the Future of Non-Fiction Film. Her work has been featured four consecutive years at IFPâ€™s Independent Film Week. Her film PRODIGAL SONS â€” a co-production with BBC Storyville, Sundance Channel, and CBC/Canada â€” has been shown around the world in festivals and on television. It was also screened in rough cut at DocuClub in April 2008.
Our moderator will be Basil Tsiokos, who has been a Programming Associate (Documentary Features) for the Sundance Film Festival since 2005. He also serves as a consultant for filmmakers and festivals, offering project feedback and advice on festival and promotional strategy. He was the Executive and Artistic Director of NewFest: The New York LGBT Film Festival between 1996 and 2008. Tsiokos has also served as a Coordinator of the IFPâ€™s No Borders Co-Production Market and has guest curated at the Jacob Burns Film Center and for the Miami Gay and Lesbian Film Festival and Germanyâ€™s touring Verzaubert Film Festival. Basil has served on festival juries and panels for the Atlantic Film Festival, Berlin International Film Festival, Cleveland International Film Festival, Full Frame, IFP, LaCinemaFe, Outfest, SXSW, and the AIVF. His writing occasionally appears in indieWIRE, and he can be found on Twitter as @1basil1.
Admission is free for current DocuClub members and $6 for non-members.
If you plan to attend, please RSVP at firstname.lastname@example.org. Our previous screenings have sold out and although admission for non-members is on a first-come, first-serve basis, it is highly recommended if you let us know that youâ€™ll be attending.
Membership is an annual $50 and it includes free admission to all DocuClub events. It takes five minutes to join online:
TONIGHT!!!!! How do you find the most amazing images for your film amongst the billions of frames out there in the Archival world? And how can you get the most affordable ones, at that? We're talking to Rosemary Rotondi, foremost Archival Film Researcher with credits such as BAND OF BROTHERS this Thursday, February 11th on DOC TALKS. We're going to get the low-down on saving tons of money and time and getting the very best footage and stills for your film.
DATE: Thursday, February 11th, 2010
TIME: 5pm PST (6pm Mtn, 7pm Central, 8pm EST) for 30 minutes
This call is for Members Only. Join us!
Rosemary Rotondi is also a full member of The D-Word – we already value her as a generous and knowledgeable expert in this complex field.
In reply to Tailinh Agoyo's post on Thu 11 Feb 2010 :
How do I get on the call?
I imagine you'd click on the link in Tailinh's post to find out, Donald.
Tribeca Cinemas Presents: Doc Series 2010
From the team behind the Tribeca Film Festival, Tribeca Cinemas Presents: Doc Series is an exciting new series of interesting, innovative and thought-provoking documentary films. Join us every other Monday night at Tribeca Cinemas for another must-see film.
This bi-weekly series represents a powerful and varied mix of overlooked gems, out-of-print and cult classics, niche audience favorites, and seminal works that have helped to shape the non-fiction film landscape.
While dealing with a wide variety of subjects, each film has both connected with its core audience and resonated with a broader audience that isnâ€™t always associated with traditional documentary film. In short, Tribeca Cinemas Presents: Doc Series is here to bring you the must-sees of documentary cinema.
2.22.10: Dark Days
3.8.10: Johnny Cash at Folsom Prison
3.22.10: Nerdcore Rising
Tickets are $10, $8 for seniors and students with a valid ID and can be purchased online.
All TC Doc Series screenings start at 7:30 pm at Tribeca Cinemas, 54 Varick Street (at Laight, one block south of Canal).
Share a cocktail with your fellow doc lovers before or after each screening in the Tribeca Cinemas bar!
We look forward to seeing you at the movies.
You only need to post in one Topic (this one is fine). Use Introduce Yourself to tell us who you are and what brought you here.
Documentary Tip – LIGHTS, CAMERA, INSURANCE: HOW MUCH INSURANCE DO I NEED? By Winnie Wong http://ning.it/95MjAZ
In reply to Donald Goldmacher's post on Fri 12 Feb 2010 17:54 UTC :
Hi Donald, Sorry I missed your post. If you would like to join the next teleseminar on documentary insurance on Feb 25, go to www.documentaryhowto.com and click on free teleseminar.
WOMEN MAKE MOVIES – JOB POSTING –
PRODUCTION ASSISTANCE PROGRAM COORDINATOR
Dear WMM Friend,
We are pleased to announce that we are accepting applications for our Production Assistance Program Coordinator position. Please feel free to pass along the information below to any interested parties. Your help is greatly appreciated!
PRODUCTION ASSISTANCE PROGRAM COORDINATOR
Founded in 1972, Women Make Movies (WMM) is a non-profit feminist, media arts organization dedicated to the distribution and exhibition of films by and about women. Women Make Moviesâ€™ Production Assistance (PA) Program provides assistance to emerging and experienced women directors in the production of new documentaries, fiction and experimental films.
WMM is seeking a Production Assistance Program Coordinator who will report directly to the Executive Director and work with our Program Consultant. The PA Program assists women filmmakers to independently produce films by providing fiscal sponsorship, workshops, seminars, and various online resources. The Coordinator will manage the fiscal sponsorship program, including review of applications, administering contributions and disbursements, preparing government funding reports, and handling production assistance inquiries. Additional responsibilities include organizing and scheduling workshops and seminars, updating information resources and the PA section of our website, and promoting the program and its activities.
Skills, Qualifications and Other Requirements:
At least two years experience working in a non-profit arts organization
Must have some familiarity with foundation/government fundraising
A basic knowledge of film production and/or financing.
This position requires someone to be extremely detailed, computer savvy, and who can successfully juggle multiple tasks in a productive and positive manner.
Excellent written and verbal communication skills and ability to meet deadlines.
Flexibility, professionalism, a positive attitude, and a sense of humor, of course, are mandatory!
HOW TO APPLY: Please email resume with and letter noting relevant experience and salary requirements to email@example.com. Please indicate Production Assistance Program Coordinator in the subject line and tell us where you saw the posting. Women Make Movies offers a competitive salary based upon experience, as well as an excellent benefits package including employer-paid medical and dental insurance, long term disability, retirement plan, vacation, and paid holidays. Women Make Movies is an equal opportunity employer and encourages women of color, lesbians, and older women to apply.
Women Make Movies is the world's leading distributor of independent films by and about women. For three years in a row, films from WMM have taken home top prizes at Sundance. In 2009, ROUGH AUNTIES by acclaimed filmmaker Kim Longinotto won the World Cinema Documentary Jury Prize; and in 2008 THE GREATEST SILENCE: RAPE IN THE CONGO received the Special Jury Prize in Documentary. Additionally, WMM's well-established Production Assistance (PA) Program helps American women directors get their stories to the screen. Recent films of note from the Production Assistance Program include Oscar-nominated NERAKHOON (THE BETRAYAL) by Ellen Kuras and EL GENERAL, by Natalia Almada, winner of the Sundance Directing Award in U.S. Documentary. For more, visit our website at www.wmm.com.
Women Make Movies â€¢ 462 Broadway #500 â€¢ New York â€¢ NY â€¢ 10013
As part of the Documentary Organization of Canada's ReBoot project lab running from February 16 to 19, www.docspace.ca has launched a new ReBoot page featuring video presentations created by leaders in cross-platform media including Blog Cinematech's Scott Kirsner, the National Film Board's Kat Cizek, cross-media expert Lance Wieler and Upian.com's Alexandre Brachet. You can also post questions and comments for the ReBoot presenters. New presentations uploaded daily. Find out more about ReBoot and how to register for the wrap-up event on February 19 in Toronto at www.docorg.ca.
Documentary Director Looking for Cameraperson in Nairobi.
A friend asked for help in finding a cameraperson to hire based in Nairobi. Shooting in HD for one week beginning 2.31.10. Filming at a school outside of Nairobi. Interview set up and additional filming in the regional area. If anyone has suggestions, please let me know or contact:
Adam Del Deo
Perhaps Christopher means Sunday, February 28th? Or Monday, March 1st? Or perhaps the numbers have been switched around such that the actual date is Sunday, March 21st – or 03.21.10? Only one way to find out, I guess.
In reply to Christopher Quinn's post on Fri 19 Feb 2010 :
Hey Koen and James, Good catch. I hotfooted the details to post. The producer and director are traveling now but I am certain she intended to mean Sunday, 2.28.10.
Someone in the member classifieds has already connected them with a potential cameraperson in Nairobi but let me know if you have other recommendations.
James, thanks for the tip on d-word, it has already brought grist to the mill.
Great to see you here, Christopher – looking forward to seeing you in person next time we're in the same town.