Final Call For Entries – 2010 Newport Beach Film Festival
The 2010 Newport Beach Film Festival will screen over 350 feature length and
short films. The 2010 NBFF will also host red carpet Opening and Closing
Night Gala Celebrations, International Spotlight events, an Action Sports
Film Series, an Environmental Film Series, a Family Film Series, a
Collegiate Showcase, a Youth Film Showcase and a free Seminar Series. Come
be a part of the 2010 Newport Beach Film Festival.
The FINAL deadline for film submissions to the 11th Annual Newport Beach
Film Festival is JANUARY 25, 2010.
The Newport Beach Film Festival runs April 22-April 29, 2010!!
I'm looking for first-time documentary directors in post-production to participate in IFP's Documentary Lab – a free week long workshop to help you strategize the finishing and most professional release of your film. The illustrious Doug Block is a mentor for this program, among many other top producers and directors. Apply yourself or spread the word to anyone you think might be interested. Email me at firstname.lastname@example.org if you have any questions or if you want to discuss your project- more details are below.
IFP'S 2010 INDEPENDENT FILMMAKER LABS OPEN FOR SUBMISSIONS
Documentary Lab â€“ April 12â€“16, 2010; Application deadline FEBRUARY 12
Narrative Lab â€“ June 7â€“11, 2010; Application deadline MARCH 26
DocuClub in January!
Our January DocuClub will take place on Wednesday, January 27, 7 p.m., at the 92YTribeca, located at 200 Hudson Street (at Canal). You can take the E, 1, or 6 trains to Canal.
We will screen a rough cut of UP HEARTBREAK HILL by Erica Scharf. The documentary chronicles the lives of Thomas, Tamara and Gabby – three Native American teenagers in Navajo, New Mexico –as they navigate their senior year at a reservation high school. As graduation nears, they must decide whether to stay in their community– a place inextricably woven into the fiber of their being – or leave in pursuit of opportunities elsewhere. Largely isolated from mainstream America, they hesitate to separate from their families and traditions, rooted to home in equal parts by love, obligation and fear. Tribal elders urge members of the younger generation to leave, acquire an education or learn a trade, and return home with the skills to help their people. But, with an unemployment rate near 58% and a per capita income under $4,600, Navajo has few prospects. Thomas, Tamara and Gabby each bear amazing strength and promise, but all are products of their environment, and it is the same community that has set before them so many challenges that now asks them to become the leaders that will reshape the Navajo Nation. Their battles to shape their identities as both Native American and modern American lie at the heart of the film.
Director Erica Scharf has spent much of her career in documentary film and television. Most recently, she worked as an editor on Investigation Discoveryâ€™s documentary television series, THE SHIFT. She has shot, produced and edited numerous episodes of THE FIRST 48 (A&E). She directed and edited MARNEE: A GARAGE SALE RETROSPECTIVE, which was the First Place Winner at Movie Making Madness 2005, and edited CIY (Best Short Film, 2007 Aspen Shortsfest). Other credits include SWAT (A&E), MIAMI INK (TLC), and LAST SEEN ALIVE (Discovery). In 2005, Scharf was the Assistant Editor on GOD GREW TIRED OF US (Grand Jury Prize and Audience Award, 2006 Sundance Film Festival). Scharf is a graduate of New York Universityâ€™s Tisch School of the Arts and has a B.F.A. in Film and Television.
Producer Christina D. Kingâ€™s body of work spans news, documentary, and film. After producing broadcast news in her home state of Oklahoma, King went on to associate produce the documentaries ELECTION DAY (PBS), BAD BLOOD, and human rights projects for the ACLU. Recently, she line-produced WE SHALL REMAIN: TECUMSEHâ€™s VISION directed by Chris Eyre and Ric Burns. King also field produced for Michael Mooreâ€™s recent documentary, CAPITALISM: A LOVE STORY. A Native American of Creek/Seminole/Sac & Fox descent, King has a B.A. in Film Studies and Mass Communication from the University of Tulsa.
Executive Producer Chris Eyreâ€™s film EDGE OF AMERICA received a 2005 Peabody Award and he was recognized with a Directors Guild Award. His first feature film, SMOKE SIGNALS, won the Audience Award and Eyre received the Filmmakerâ€™s Trophy at the 1998 Sundance Film Festival. His other credits include A THIEF OF TIME and SKINWALKERS for PBSâ€™s MYSTERY! In 1995, Eyre received a Rockefeller Foundation Intercultural Film Fellowship. A Cheyenne/Arapaho Native American, he earned his M.F.A. in Film and Television at New York Universityâ€™s Tisch School of the Arts.
Editor Cindy Lee has worked extensively in documentary and narrative film, television, and commercials. Her feature editing credits include NO END IN SIGHT (Academy Award nominee 2008, New York Film Critics Circle 2007 Best Documentary, Sundance Special Jury Prize 2006), HOTEL GRAMERCY PARK (Special Jury Mention, Tribeca Film Festival 2008) and MANHATTAN, KANSAS (SXSW Film Festival 2006). She holds a B.A. from Wellesley College and an M.A. from Lund University in Sweden.
Editor Isaac Wayton honed his editorial skills while cutting short form documentary films, as well as various television and web projects. His documentary short, CHILDREN IN THE FIELDS (2004), has been used by multiple foundations to raise awareness about the lax child labor laws among migrant workers in the United States. He has collaborated with music artists Keith Urban and Sir Paul McCartney to create unique featurettes for the artistsâ€™ websites. His television credits include MYSTERY DIAGNOSES (Discovery Health), THE DETONATORS (Discovery), and IT TAKES A THIEF (Discovery). Wayton received his B.F.A. in Film and Video from the Rochester Institute of Technology.
Our moderator will be filmmaker Almudena Carracedo. Born in Madrid, Carracedo is the Emmy-award winning Director and Producer of the documentary MADE IN L.A. Funded by ITVS, POV and the Sundance Documentary Fund, the film has received critical acclaim and international awards, including an Emmy Award, a Henry Hampton Award and a Special Mention of the Jury at the Valladolid International Film Festival. Her previous documentary on Tijuana as a border town, WELCOME, A DOCU-JOURNEY OF IMPRESSIONS, received the Sterling Award for Best Short Documentary at SILVERDOCS and screened in numerous national and international festivals. Carracedo is the 2008 recipient of NALIP's (National Association of Latino Independent Producers) ESTELA Award, and has served as a jury in several film festivals, including the SILVERDOCS, Valladolid International Film Festival and Santiago's International Documentary Festival in Chile (FIDOCS).
Admission is free for current DocuClub members and $8 for non-members.
Only DocuClub members who plan to attend need to RSVP at: email@example.com.
Membership is an annual $50 and it includes free admission to all DocuClub events. It takes five minutes to join online:
I'm looking for recently completed feature docs for Cinewomen On Screen, a series I help to program for NYWIFT (New York Women in Film and Television). We screen at Anthology Film Archives in Manhattan and we have a slot open for our March program. Please contact me ASAP at firstname.lastname@example.org. We will also consider short docs for future programs. Check out the lineup for our January 27th event: http://nywift.org/article.aspx?id=2107
Cool Audio Producer job in NYC just posted by The National Black Programming Consortium:
ATTN: DC-area documentary filmmakers
Docs In Progress is holding an all-day workshop next Saturday, January 23 in Silver Spring which is focused on fundraising for documentaries. This workshop is appropriate for documentary filmmakers of all experience levels – whether you have never raised funds for an independent documentary or have been frustrated by your efforts to do so.
The focus will be on providing participants with concepts and tools that can help you learn how to develop a fundraising plan, track the fundraising effort, research potential donors, conduct a fundraising drive, and solicit grants from corporations and foundations. There will be plenty of handouts of samples. The workshop is being led by Sam Hampton, an experienced fundraiser. Dr. Hampton, in addition to being the Director of Planning and Special Projects for Docs In Progress and a documentary filmmaker himself, is also the Founding Partner of Hampton Consulting, LLC which works with nonprofit, philanthropic, corporate, and public sector clients on building their strategic plans and increasing their chances of fundraising success – elements which apply just as easily to documentary filmmaking.
Saturday, January 23, 2010 from 9:00 am – 3:30 pm
Docs In Progress Documentary House, 8700 First Avenue Silver Spring, MD (walking distance to free parking and the Silver Spring Metro)
$250 (or $225 if you join Docs In Progress' new Docs Insider Program which gets discounts to many programs)
Since space is limited, advance registration is STRONGLY RECOMMENDED. Please visit our website for more details or contact Adele Schmidt, Director of Programs and Services, at adeleATdocsinprogressDOTorg or (301) 789-2797.
"Haitian film students are on the ground shooting and uploading footage from devastated Jacmel. Volunteer editors are needed in NEW YORK to edit earthquake footage. Please contact Alana at 212 334 6260 if you can help and please repost and pass on to all NYC film professionals."
Post by Arts Engine NY.
2010 TALKING PICTURES FESTIVAL (www.talkingpicturesfestival.org) – January 22 deadline coming up!
This very doc-friendly festival invites independent filmmakers to submit their films to its annual festival competition in Evanston, Illinois (next to Chicago). Run by filmmakers, the Talking Pictures Festival seeks films that are thought-provoking, intriguing, entertaining, vibrant, authentic, artful and informative.
Festival takes place in May 2010 and attracts filmgoers from the entire northern Chicago metro-area. Low entry fees. Free for international entries. Cash awards for winning entries.
Last year's fest lineup included well-known docs alongside lesser known, international and regionally produced films. Doc award-winner was "Body & Soul: Kathy & Diana" by Alice Elliott.
Regular postmark DEADLINE: January 22, 2010
Late postmark DEADLINE: February 1, 2010
Entry form and more info at: www.talkingpicturesfestival.org
Submit your entry at: www.withoutabox.com/login/8776
Questions? Contact: email@example.com
ATTN: DC area documentarians...
Docs In Progress is excited to welcome two guest experts to our workshop offerings at the Documentary House in downtown Silver Spring, MD:
Jay Schlossberg from Media Central will be speaking next Monday about working internationally with a focus on how to navigate carnets, insurance, finding a local crew and fixer, and budgeting for things you may never have had to consider when filming in the U.S.
WHEN? Monday, January 25 (6:30 Networking/7:00-8:30 pm Presentation and Q&A)
FEE? $35 ($30 for Docs In Progress DocsInsiders). Because of limited space for only 15 participants, advance registration is highly recommended.
MORE INFO? http://www.docsinprogress.org/index.php?option=com_events&task=view_detail&agid=41&jevtype=jevent&year=2010&month=01&day=25&Itemid=1
Christine Intagliata's presentation on Writing Documentary Treatments was so popular last Fall that we've brought her back to lead a three-night workshop on the same subject. She'll focus on how to take the film in your head and translate your ideas into words to help with fundraising or working with a specific client. Participants will receive samples of successful treatments and, because this is a longer session, will get to develop their own treatments during the course.
WHEN? January 28 – February 11 (three consecutive Thursday nights from 7:00 – 9:00 pm)
FEE? $250 ($225 for Docs In Progress DocsInsiders). Because of limited space for only 10 participants, advance registration is highly recommended.
MORE INFO? http://www.docsinprogress.org/index.php?option=com_events&task=view_detail&agid=39&jevtype=jevent&year=2010&month=01&day=28&Itemid=1
For more information on these and other Docs In Progress programs and how to become a DocsInsider, visit our website at http://www.docsinprogress.org or contact Adele Schmidt, Director of Programs and Services, at adeleATdocsinprogressDOTorg or (301) 789-2797.
Warning: Double-post ahead.
I'm looking for a room in Vancouver for Feb and March. If someone in Vancouver has and apartment or spare room, or knows of someone who might have one please let me know!
Looking for a Paris based French and English speaking PA to work on a UNESCO shoot 3 through 5 February at a rate of 150 euros per day. Email me at firstname.lastname@example.org if interested. Thanks.
DVX100a for sale. Very few hours. Great shape. All original accessories plus a uv filter, polarizing filter and a padded shoulder bag.
Make an offer. They sell for about 1000 US on ebay.
email me directly at monkeybz (at) telus dot net
What's it like to be in the middle of the Sundance buzz? Stressful? Thrilling? Fun? Expensive? Find out on Monday, as Hank talks live from the Sundance Film Festival with filmmakers Annie Sundberg and Ricki Stern. Their film, JOAN RIVERS: A PIECE OF WORK, is premiering that very night in the Documentary Competition. REGISTER now to hear the latest fest news and how Ricki and Annie are faring under the pressure and excitement of Sundance. Find out the back story on how they made this eye-opening portrait of one of America's most interesting icons.
DATE: Monday, January 25th, 2010
TIME: 10am PST (11am Mtn, Noon Central, 1pm EST) for one hour
REGISTER NOW! You can listen in via your computer or phone, and can email questions in to the filmmakers.
go to www.documentaryhowto.com and click on free teleseminar
Check it out Hank's Sundance Blog â€“ Entry #2 -Sundance Scene and Overherd
...People come to the fest to walk main street and troll for celebs. I heard Ben Affleck was creating quite a crowd, and I passed Michael Chiklis today. The sidewalks are continuously blocked by flocks around someone 'famous'. I am so outa da loop that I am not recognizing many faces in these spontaneous crowds. I passed by one gaggle yesterday, and did not recognize the guy who was signing autographs. Then a young lady said she wanted to tell him how much she loved him on General Hospital. Main Street is always good for a chuckle.
At a panel yesterday on Media Marketing, a panelist referred to 'District 9' as an â€œindependent film,â€ because it had a budget of $30 million. The crowd groaned. More proof that the 'indy film' label has become as ubiquitous as 'fat free'...
READ THE REST OF HANK'S BLOG AT http://www.documentaryhowto.com/documentary-blog/114-hanks-sundance-blog-entry-2
Don't take this hard, Tailinh, but passing Michael Chiklis on the street doesn't exactly make me wanna go run to read Hank's blog. On the other hand, hearing Ben Affleck was creating quite a crowd is pretty damn exciting, gotta give you that.
Independent Documentary Filmmaker Seeks Outreach and Marketing Intern
I am an award winning documentary filmmaker based in Brooklyn, New York who is just finishing a new experimental short documentary about remembering called FORGET ME NOTS.
I am seeking an intern who can help me research the markets I have targeted for the distribution of this film and to help me focus my audience outreach strategy. This person must be able to employ critical thinking skills, work independently and be familiar with Mac computers. Knowledge of Excel and/or FileMaker are a plus.
This is an opportunity to get hands on experience for a very small company (rather than answering phones at a big firm) and would be ideal for someone studying marketing/outreach and/or a documentary film student who wants to learn what grass roots distribution is all about.
To learn more about the film and my work please visit www.dempseyrice.com
To ask questions or to apply for the position please email a resume and cover letter stating your experience (as a student or professional), why you are interested in working for a small production company and what you bring to the table.
In reply to Doug Block's post on Mon 25 Jan 2010 :
ok. slow down Brooklyn. i moved out of there years ago. I can't keep up with the snarky banter. have a nice day!
Rebel against the entrenched establishment. Reject authority, fight the power. Re-new your right for freedom and individuality. Docs can help us do that....right? Redford has said many times that docs are our last bastion of reliable truth since the traditional media... â€œhas gone the way of the dodo.â€ And the docs this year at Sundance cover everything from Iraq to a female comedian's struggle to keep going despite the impenetrable boy's club. But do these films do anything to actually change the way Coke, Chevron and Citibank run the world?.... READ THE REST OF HANK'S BLOG
Just a little snark, Tailinh, and it's good for body and soul. Actually, Brooklyn's getting more and more like Santa Fe every day.
The 2010 TALKING PICTURES FESTIVAL is happy to announce that The ONION: America's Finest News Source and AV Club Chicago have joined us as co-presenters of several of our upcoming festival programs!
Be part of the fun and don't miss the LATE postmark DEADLINE for this very doc-friendly festival: February 1
We seek films that are thought-provoking, intriguing, entertaining, vibrant, authentic, artful and informative. From dramatic films to hard-hitting documentaries, comedic shorts, experimental films, or music videos, we invite independent filmmakers to send us their work for consideration. All genres, styles and lengths welcome. Cash awards for winning film entries.
Now in its second year, the 2010 Talking Pictures Festival will take place on May 7 – 9, 2010. The festival will once again draw audience members from across the northern Chicago metro-area to this annual celebration of independent films from around the world. The inaugural 2009 Talking Pictures Festival received much press coverage and attracted 1,100 filmgoers over the course of a long weekend. True to its name, screenings at The Talking Pictures Festival are often accompanied by discussions with filmmakers, guest speakers or community groups.
Late postmark DEADLINE: February 1
Withoutabox submissions only: February 8
Entry form and more info at:
Submit your entry at: http://www.withoutabox.com/login/8776
The Talking Pictures Festival is produced by Percolator Films (www.percolatorfilms.org), a non-profit film organization that also organizes the popular ten-year-old Reeltime film and discussion series.
Be Discovered in HOLLYWOOD! Great Networking Opportunity! Http://www.hollywoodfestival.com
The 14th Annual Hollywood Film Festival is now open for submissions in the follow genres: Features (drama & comedy), Docs, and Shorts.
Visit the Hollywood FILM Festival, Hollywood Comedy Film Festival, and Hollywood HORROR Film Festival to submit. Http://www.hollywoodfestival.com
P.S Hustle and Flowâ€™s Craig Brewer was discovered at the HFF and last yearâ€™s winner for Best Documentary, â€œGarbage Dreamsâ€ was nominated for an Oscar.
Beautiful Brooklyn Sublet. March 15-May 1, possibly longer. Spacious 1-br apartment in a doorman building in Prospect Heights. $1950/month. Steps from the park, transportation (2/3 and Q trains). It's on the top (6th) floor with views of Manhattan and the Empire State Building. There is a beautiful shared roofdeck. The apartment is clean, comfortably furnished with cable and internet. Laundry in the basement. Near great restaurants, cafes, etc. Pics available upon request.
email me at email@example.com
DOC ALLIANCE FILMS
The New Deal for Feature Documentaries
Doc Alliance Films – www.docalliancefilms.com – the new online documentary portal for Video on Demand. Doc Alliance is a partnership between five key European documentary film festivals: CPH:DOX Copenhagen, DOK Leipzig, IDFF Jihlava, Planete Doc Review Warsaw and VISIONS DU REEL Nyon.
www.docalliancefilms.com offers permanent access to over 250 outstanding documentaries selected by the five partner festivals. New films are added monthly and each one can be acquired through streaming or download.
The aim of the Doc Alliance initiative is to support the diversity of feature documentaries and to convince audiences of the fascinating, moving and instructive aspects of the cinÃ©ma du reel where reality surpasses fiction and becomes spectacular.
Doc Alliance was born with the awareness that new initiatives are needed to promote remarkable films to a general market that is less permeable to their circulation and commercialisation and to approach various audiences in every conceivable manner, ranging from cinema, television, DVD to VOD, and other networks.
Its objective is to create an inventive and dynamic distribution platform for filmmakers and producers by offering attractive alternatives, debates, choices and perspectives.
Doc Alliance Films is proud to announce that it can now be found on YouTube and other social networking platforms such as Facebook and Twitter. Please keep checking the www.docalliancefilms.com for promotions and opportunities for viewers and filmmakers, as well as updates on new directions and initiatives of Doc Alliance, website upgrades and where you can find us next, from online publications to blogs and social networks.
For more information please contact firstname.lastname@example.org
DVX 100a in very good condition for sale. 142 hours of operation. Asking $1200. contact email@example.com
TODAY! Join Jilann for a special Q&A call about a new Coaching Circle that she is forming to HELP YOU RAISE MONEY FOR YOUR FILM. This DocuMentors Coaching Circle will be designed to give you concrete tools to raise money effectively, as well as support in a small group environment so you're not going it alone. Join for a special 30 minute call to let you know what you can get out of the Coaching Circle and how it will be run. If you haven't yet registered, and you are interested, please REGISTER NOW for the Q&A call (no obligations to join the group ) and send her your questions thru the event web page that you receive when you register. DATE: Tuesday, February 2nd, 2010TIME: 5pm PST (6pm Mtn, 7pm Central, 8pm EST) for 30 minutes. To register click on the link below and go to free teleseminar.
NYC (Brooklyn) – I am in need of an assistant editor or a newbie editor who is looking for some experience but won't cost me much at all. I need to edit some materials for the DVD extras on a couple of projects (it's mostly cutting down interviews and similar stuff). Do any of you know anyone that is just starting out who might be interested? This is going to be in my home, so it's gotta be someone sane!
Affordable Web Design for Documentary Filmmakers
My name is Amanda Woods... I've posted here once before but it was many months ago and I'm sure my post is buried now, so I'm posting again.
I'm a beginning web design with a passion for documentaries. If you're in need of a website for yourself as a documentary filmmaker, or for a film, I'd love to work on it for you. I strive to keep my prices affordable and am willing to work within your budget. I'm also happy to work out payment plans if you're tight on cash.
My designs are clean and simple, nothing too fancy... not yet, anyway (I'm getting there). I would love the opportunity to work on more film sites, particularly ones in which a filmmaker can provide me with large still images from the film so that I can get a bit more creative/sophisticated with the design. Of course, I'll also work with your input.
You can learn more about my services and take a look at my samples on my website. Thus far, I've done mostly writer sites, so I'm not sure how well those will give you an idea of what I can do with a film site. But if you're interested in a website and if you're able to send me large images and a little bit of copy, I can play with those and give you some examples of what a site for you may look like before you commit to hiring me.
Here is my url:
You can contact me using the form on the website, or email me directly at:
Thank you and I look forward to hearing from you!
Live Streaming Event tonight with ITVS!
The Independent Television Service is streaming a special live filmmaker event online, tonight at 7:30pm from San Francisco!
In conjunction with the SF Film Society and New Doc Editing, ITVS will be discussing innovative structural approaches to documentary filmmaking.
What: Thinking Outside the Doc Box
When: Monday Feb 8, 2010 @ 7:30pm PST
More info and Watch Online: http://bit.ly/docbox
If you're in SF, there still may be tickets available from SFFS.org. It's going to be held at Mezzanine in downtown SF.
Hope you can join us!
– Jonathan Archer (ITVS)
I'm on the hunt for an assistant/intern to work for D-Word founder, omnipresent host, and all-around galactic overlord Doug Block ("51 Birch Street") in the distribution and outreach phase of his new film, "The Kids Grow Up", as well as some work on several other feature docs. Our ideal candidate has a clear interest and ambition to work in documentary production, is a fast learner and fearless starter, and does not shy away from hard work. Internship would begin ASAP. Social media skills a plus.
Our office is located in Dumbo, Brooklyn. This is an unpaid internship, but a small travel- and meals stipend will be given – not to mention priceless knowledge and contacts. Also, we're small enough that a prospective candidate would find her- or himself in the middle of the hurricane, so to speak, but we're also big enough to work with some of the top broadcasters in the world.
If you know someone fitting, or want to apply yourself, please send an email to firstname.lastname@example.org telling me a bit about who you are, what you hope to learn from interning with us and working for Doug, and what you hope to achieve in the future. Thanks – we're looking forward to hearing from you!
On Friday nights in January, February and March, UnionDocs will screen six excellent films, all of which have been named named Pare Lorentz Award Winners by the International Documentary Association.
We are very fortunate to also have the opportunity to conclude the festival by showing four important works by this pioneer, Pare Lorentz. All of these are documentaries that inspire the best in all of us â€“ films that address issues of social justice, political strife, and survival in a world with declining natural resources. Each screening will be followed by a discussion, with filmmakers and special guests in attendance.
UnionDocs is giving away 5 tickets per show (good for you and a guest) to the first 5 people who reach out to me. E-mail me at email@example.com and let me know you are interested in attending.
Sugihara: The Conspiracy of Kindness
Friday, February 12th, 2010 at 7:30 pm
Directed by Rob Kirk
Mandela: Son of Africa, Father of a Nation
Friday, February 19th, 2010 at 7:30 pm
Directed by Jo Menell
Berga: Soldiers of Another War
Friday, February 26th, 2010 at 7:30 pm
Directed by Charles Guggenheim
The Plow That Broke The Plains (1936) & Nuremberg (1948)
Friday, March 5th, 2010 at 7:30 pm
Directed by Pare Lorentz
The River (1938) & The Fight For Life (1941 )
Friday, March 12th, 2010 at 7:30 pm
Directed by Pare Lorentz
For more program info, please visit www.uniondocs.org.
UnionDocs is located at 322 Union Avenue, in Williamsburg, Brooklyn.
Dhondup Wangchen is a Tibetan filmmaker recently sentenced to 6 years for subversion in China. Amnesty International fears that he is being tortured.
Wangchenâ€™s 25-minute documentary, Leaving Fear Behind (www.leavingfearbehind.com), shows Tibetans in the Amdo region expressing their views on the Dalai Lama, the Beijing Olympics and Chinese legislation.
Please help spread the word and please sign the petition at:
Reporters without Borders
School of Theatre, Television, and Film
San Diego State University
5500 Campanile Dr.
San Diego, CA 92182-7601
Ph 619 594-5497
Fax 619 594-1391
"Freedom of expression is the matrix, the indispensable condition, of nearly every other form of freedom." â€“ Benjamin Nathan Cardozo
Good call, Mike. Thanks for posting.
DocuClub in February!
Our February DocuClub will take place on Wednesday, February 24, 7 p.m., at DCTV, located at 87 Lafayette Street (at Walker; take N/R/Q/6 trains to Canal).
We will screen a rough cut of PAUL GOODMAN CHANGED MY LIFE by Jonathan Lee. The first documentary about Paul Goodman, the late social critic, poet, philosopher of education, or, as he called himself, "man of letters in the old-fashioned sense," it follows a biographical through-line and is structured around interviews with family, friends, peers, and activists from the peace, educational reform, and gay movements who today are found in Maine, Minnesota, Massachusetts, California, West Virginia, New York City, Vermont, Paris, and Catalonia, Spain. The interviews are interwoven with archival footage of Goodman and major events in which he was involved and photos made available by his widow Sally. Some interviewees include Noam Chomsky, Judith Malina, and Grace Paley. See a trailer here: http://www.paulgoodmanfilm.com/trailer.shtml.
Director/Producer Jonathan Lee served as producer of the FEAR OF DISCLOSURE PROJECT, a series of videos that explore the act of revealing that one is HIV+ or has AIDS, which began with a video by the late Phil Zwickler and David Wojnarowicz. Under Lee's direction, the project produced and distributed (IN)VISIBLE WOMEN, Ellen Spiro and Marina Alvarez, NON, JE NE REGRETTE RIEN (NO REGRET), Marlon T. Riggs, and OUT IN SILENCE & NOT A SIMPLE STORY, Christine Choy. From 1995-2003, Lee was the founder/director of the Maine Speakout Project, a statewide organization that trained and deployed volunteer speakers to share their personal experiences as sexual minority Mainers with mainstream groups throughout the state. In 2003, Lee returned to New York City to begin working on PAUL GOODMAN CHANGED MY LIFE.
Associate Producer Robert Hawk has been a longtime advisor to filmmakers and film festivals, has had his own business, ICI (Independent Consultation for Independents) for over 13 years, and been a part of the independent film scene for 23 years. Producer credits include Dan Geller and Dayna Goldfine's acclaimed documentary, BALLETS RUSSES. Starting with his involvement in documentary as a researcher on Rob Epstein's Oscar-winning THE TIMES OF HARVEY MILK, he has been credited with discovering and/or nurturing the talents of such filmmakers as Epstein, Nathaniel Kahn (MY ARCHITECT), Kevin Smith (beginning with CLERKS), Ed Burns (BROTHERS McMULLEN), David Siegel and Scott McGehee (DEEP END; BEE SEASON), and Geller & Goldfine. He has also consulted on hundreds of documentaries, including Oscar winners/nominees such as COMMON THREADS: TALES FROM THE QUILT, COMPLAINTS OF A DUTIFUL DAUGHTER, and REGRET TO INFORM.
Editor Kimberly Reed is a filmmaker living in New York City. She was named one of Filmmaker Magazineâ€™s â€œ25 New Faces of Independent Film,â€ and has been awarded a Yaddo Artistsâ€™ Community Fellowship, a Squaw Valley Community of Writers Workshop Fellowship, and a spot in Al Goreâ€™s Current TV Symposium on the Future of Non-Fiction Film. Her work has been featured four consecutive years at IFPâ€™s Independent Film Week. Her film PRODIGAL SONS â€” a co-production with BBC Storyville, Sundance Channel, and CBC/Canada â€” has been shown around the world in festivals and on television. It was also screened in rough cut at DocuClub in April 2008.
Our moderator will be Basil Tsiokos, who has been a Programming Associate (Documentary Features) for the Sundance Film Festival since 2005. He also serves as a consultant for filmmakers and festivals, offering project feedback and advice on festival and promotional strategy. He was the Executive and Artistic Director of NewFest: The New York LGBT Film Festival between 1996 and 2008. Tsiokos has also served as a Coordinator of the IFPâ€™s No Borders Co-Production Market and has guest curated at the Jacob Burns Film Center and for the Miami Gay and Lesbian Film Festival and Germanyâ€™s touring Verzaubert Film Festival. Basil has served on festival juries and panels for the Atlantic Film Festival, Berlin International Film Festival, Cleveland International Film Festival, Full Frame, IFP, LaCinemaFe, Outfest, SXSW, and the AIVF. His writing occasionally appears in indieWIRE, and he can be found on Twitter as @1basil1.
Admission is free for current DocuClub members and $6 for non-members.
If you plan to attend, please RSVP at firstname.lastname@example.org. Our previous screenings have sold out and although admission for non-members is on a first-come, first-serve basis, it is highly recommended if you let us know that youâ€™ll be attending.
Membership is an annual $50 and it includes free admission to all DocuClub events. It takes five minutes to join online:
TONIGHT!!!!! How do you find the most amazing images for your film amongst the billions of frames out there in the Archival world? And how can you get the most affordable ones, at that? We're talking to Rosemary Rotondi, foremost Archival Film Researcher with credits such as BAND OF BROTHERS this Thursday, February 11th on DOC TALKS. We're going to get the low-down on saving tons of money and time and getting the very best footage and stills for your film.
DATE: Thursday, February 11th, 2010
TIME: 5pm PST (6pm Mtn, 7pm Central, 8pm EST) for 30 minutes
This call is for Members Only. Join us!
Rosemary Rotondi is also a full member of The D-Word – we already value her as a generous and knowledgeable expert in this complex field.
In reply to Tailinh Agoyo's post on Thu 11 Feb 2010 :
How do I get on the call?
I imagine you'd click on the link in Tailinh's post to find out, Donald.
Tribeca Cinemas Presents: Doc Series 2010
From the team behind the Tribeca Film Festival, Tribeca Cinemas Presents: Doc Series is an exciting new series of interesting, innovative and thought-provoking documentary films. Join us every other Monday night at Tribeca Cinemas for another must-see film.
This bi-weekly series represents a powerful and varied mix of overlooked gems, out-of-print and cult classics, niche audience favorites, and seminal works that have helped to shape the non-fiction film landscape.
While dealing with a wide variety of subjects, each film has both connected with its core audience and resonated with a broader audience that isnâ€™t always associated with traditional documentary film. In short, Tribeca Cinemas Presents: Doc Series is here to bring you the must-sees of documentary cinema.
2.22.10: Dark Days
3.8.10: Johnny Cash at Folsom Prison
3.22.10: Nerdcore Rising
Tickets are $10, $8 for seniors and students with a valid ID and can be purchased online.
All TC Doc Series screenings start at 7:30 pm at Tribeca Cinemas, 54 Varick Street (at Laight, one block south of Canal).
Share a cocktail with your fellow doc lovers before or after each screening in the Tribeca Cinemas bar!
We look forward to seeing you at the movies.
You only need to post in one Topic (this one is fine). Use Introduce Yourself to tell us who you are and what brought you here.
Documentary Tip – LIGHTS, CAMERA, INSURANCE: HOW MUCH INSURANCE DO I NEED? By Winnie Wong http://ning.it/95MjAZ
In reply to Donald Goldmacher's post on Fri 12 Feb 2010 17:54 UTC :
Hi Donald, Sorry I missed your post. If you would like to join the next teleseminar on documentary insurance on Feb 25, go to www.documentaryhowto.com and click on free teleseminar.
WOMEN MAKE MOVIES – JOB POSTING –
PRODUCTION ASSISTANCE PROGRAM COORDINATOR
Dear WMM Friend,
We are pleased to announce that we are accepting applications for our Production Assistance Program Coordinator position. Please feel free to pass along the information below to any interested parties. Your help is greatly appreciated!
PRODUCTION ASSISTANCE PROGRAM COORDINATOR
Founded in 1972, Women Make Movies (WMM) is a non-profit feminist, media arts organization dedicated to the distribution and exhibition of films by and about women. Women Make Moviesâ€™ Production Assistance (PA) Program provides assistance to emerging and experienced women directors in the production of new documentaries, fiction and experimental films.
WMM is seeking a Production Assistance Program Coordinator who will report directly to the Executive Director and work with our Program Consultant. The PA Program assists women filmmakers to independently produce films by providing fiscal sponsorship, workshops, seminars, and various online resources. The Coordinator will manage the fiscal sponsorship program, including review of applications, administering contributions and disbursements, preparing government funding reports, and handling production assistance inquiries. Additional responsibilities include organizing and scheduling workshops and seminars, updating information resources and the PA section of our website, and promoting the program and its activities.
Skills, Qualifications and Other Requirements:
At least two years experience working in a non-profit arts organization
Must have some familiarity with foundation/government fundraising
A basic knowledge of film production and/or financing.
This position requires someone to be extremely detailed, computer savvy, and who can successfully juggle multiple tasks in a productive and positive manner.
Excellent written and verbal communication skills and ability to meet deadlines.
Flexibility, professionalism, a positive attitude, and a sense of humor, of course, are mandatory!
HOW TO APPLY: Please email resume with and letter noting relevant experience and salary requirements to email@example.com. Please indicate Production Assistance Program Coordinator in the subject line and tell us where you saw the posting. Women Make Movies offers a competitive salary based upon experience, as well as an excellent benefits package including employer-paid medical and dental insurance, long term disability, retirement plan, vacation, and paid holidays. Women Make Movies is an equal opportunity employer and encourages women of color, lesbians, and older women to apply.
Women Make Movies is the world's leading distributor of independent films by and about women. For three years in a row, films from WMM have taken home top prizes at Sundance. In 2009, ROUGH AUNTIES by acclaimed filmmaker Kim Longinotto won the World Cinema Documentary Jury Prize; and in 2008 THE GREATEST SILENCE: RAPE IN THE CONGO received the Special Jury Prize in Documentary. Additionally, WMM's well-established Production Assistance (PA) Program helps American women directors get their stories to the screen. Recent films of note from the Production Assistance Program include Oscar-nominated NERAKHOON (THE BETRAYAL) by Ellen Kuras and EL GENERAL, by Natalia Almada, winner of the Sundance Directing Award in U.S. Documentary. For more, visit our website at www.wmm.com.
Women Make Movies â€¢ 462 Broadway #500 â€¢ New York â€¢ NY â€¢ 10013
As part of the Documentary Organization of Canada's ReBoot project lab running from February 16 to 19, www.docspace.ca has launched a new ReBoot page featuring video presentations created by leaders in cross-platform media including Blog Cinematech's Scott Kirsner, the National Film Board's Kat Cizek, cross-media expert Lance Wieler and Upian.com's Alexandre Brachet. You can also post questions and comments for the ReBoot presenters. New presentations uploaded daily. Find out more about ReBoot and how to register for the wrap-up event on February 19 in Toronto at www.docorg.ca.
Documentary Director Looking for Cameraperson in Nairobi.
A friend asked for help in finding a cameraperson to hire based in Nairobi. Shooting in HD for one week beginning 2.31.10. Filming at a school outside of Nairobi. Interview set up and additional filming in the regional area. If anyone has suggestions, please let me know or contact:
Adam Del Deo
Perhaps Christopher means Sunday, February 28th? Or Monday, March 1st? Or perhaps the numbers have been switched around such that the actual date is Sunday, March 21st – or 03.21.10? Only one way to find out, I guess.
In reply to Christopher Quinn's post on Fri 19 Feb 2010 :
Hey Koen and James, Good catch. I hotfooted the details to post. The producer and director are traveling now but I am certain she intended to mean Sunday, 2.28.10.
Someone in the member classifieds has already connected them with a potential cameraperson in Nairobi but let me know if you have other recommendations.
James, thanks for the tip on d-word, it has already brought grist to the mill.
Great to see you here, Christopher – looking forward to seeing you in person next time we're in the same town.