Public Classifieds and Announcements

Public Classifieds

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Here's your chance to reach a broad public interested in documentaries. Get the (D-)Word out!

Please include a LOCATION. Spam will be deleted.

As this is a PUBLIC forum, it is also a good idea to write email addresses longhand (person[AT]d-word[dot]com)

Bonnie Friel

CALL FOR ENTRIES: First Person Impressions Competition


Each day countless stories unfold. Take a real life experience of your own and tell it in a way that only you can through the art of filmmaking. Make the ordinary magical, or the exotic familiar. Shock us, amaze us or make us pause to reflect. The only rule is that it’s real.

PRIZES: The top three winning entries in each category will be presented at the First Person Festival of Memoir and Documentary Art at the Painted Bride Art Center in Philadelphia, PA, November 12-16, 2008.

$500 – 1st place category winners
$100 – 2nd place category winners
$50 – 3rd place category winners

Steven Rea, Film Critic, Philadelphia Inquirer
Samuel Adams, Contributing Editor, Philadelphia City Paper
Ron Kanter, Emmy Award-winning director of New Cops, Acting Out, Life and Death – Dawson, Georgia

The film can be up to 5 minutes.

Entries must be new works that have never been shown publicly in the US.

DEADLINE: August 15th, 2008

Go to for information on how to enter.

Andrew David Watson

everyone over at First Person Arts is great!! All of you d-worders should check this out!

Felix Endara

DocuClub in July: Wednesday, July 9, 2008, 7 p.m.

About DocuClub
DocuClub is Arts Engine’s monthly film screening series of works-in-progress documentaries.

Our next DocuClub screening will take place on Wednesday, July 9, at 7 p.m., at Goldcrest Post (799 Washington Street, between Horatio and Gansevoort), in New York City’s West Village. Our moderator will be Milton Tabbot, Senior Director of Programming at IFP.

Join us as we watch Danae Elon’s "Partly Private." The film is an intensely personal and witty look at the ritual of male circumcision. Using first-person narration, Elon documents her own pregnancy and the unexpected dilemmas she encounters with her partner and father of her unborn child. What should they do to their newborn’s penis? Determined and obsessed, Elon sets out on a worldly quest to find out all she can about what “other people do.” The exploration exposes in an amusing way the flaws of being human. The film will be shown on Arte France, TV Ontario, TV2 Denmark, and Israel’s Channel 8.

Danae Elon is an award-winning documentary filmmaker, producer and cinematographer. Her last film, "Another Road Home," was a nuanced look at the Israeli-Palestinian conflict. Theatrically released in 2005, it showed in over twenty US cities, and broadcast on the Sundance channel, BBC, Al Jazeera and Israeli television.

If you plan to attend, please RSVP to:

Admission is free to current DocuClub members and $5 for non-members.

Membership is an annual $40, which includes free admission to all DocuClub events. To join or renew, please go to:


Felix Endara
Coordinator, Filmmaker Services
Arts Engine
104 West 14th Street, 4th Floor
New York, NY 10011
T. 646-230-6368, x221
F. 646-230-6388

Robert Richter

Looking for two part time or one full time reliable intern
for our mid-town Manhattan production/editing
activities. Interesting current and new projects underway.
Check out our website at to
learn what we've done and do. If interested and
available soon then email us at

Julia Welbourne

Looking for shooters with access to a Sony PMW EX1 for immediate paid work on a Doc about the American Naturalization Process.

Please contact


Beth Levison


Hi everyone,

I have yet to update my profile here on D-Word ... but I'm Beth Levison, an independent in NYC ....

We are producing an independent documentary film about an ex-con turned spoken word artist who is writing, developing, and rehearsing his one-man show for the New York stage. We're looking for a smart, ready-to-roll-up-his/her-sleeves, and hard working intern who can provide both production and post-production support during the early stages of our process (we're producing our fundraising reel) and starting immediately.

We're a small team (2 of us), so it's definitely a terrific experience for someone wanting to dive right in. Ideally, this person could devote him/herself to the project for the next two weeks and then possibly work part time from there. We need basic organizational support and help with production coordination (person may come on location), archival research, and post prep.

Candidates should send their resumes/letters of interest to

Thank you!

Rose Vincelli Gustine

Spotlight on Docs Meetings Coordinator needed!

Spotlight on Docs: Meetings Coordinator
August 4 – September 26, 2008

IFP’s Independent Film Week ‘Spotlight on Documentaries’ program is in search of Industry Meetings Coordinator to create and manage documentary industry pitch meetings. This is a great opportunity to learn a lot about the documentary industry, build professional relationships, and to be a part of IFP, America’s oldest and largest filmmaker’s organization. Our office is relaxed and has been the starting point for many top industry professionals. Primary responsibilities include: collect & organize meeting request forms, schedule meetings in Access database, liaise with participating industry about their meetings schedule, and assist with management of the meetings space, volunteers and participating industry during Independent Film Week.
You must be a self-starter, efficient, very detail oriented and flexible, with a professional demeanor and experience or serious interest in documentary. We’re looking for someone to start early August through Sept 26, and work 20-40 hours a week; full time Sept 1-19. This is a volunteer position. College/volunteer credit can be negotiated, and other benefits are available.
For more information on Independent Film Week, visit Please send resume and cover letter to No phone calls, please.

Edwin Gailits

Looking for a shooter in the NY City area with experience using the Sony EX1. I'm developing a doc on dance and I plan to be in NYC for 3 days of shooting July 17-20, mostly late nights. I have a some $$ but not pockets full. I hope to bring an EX1 with me but if you had your own that would be great.

Let me know if interested and I'll fill you in on the details.



Jason Rosette

CAMBOFEST: Film and Video festival of Cambodia offers written notes from viewing staff on all submissions!

Now in our second year, CamboFest 2008 takes place in Siem Reap, Cambodia (Angkor Wat City)

((Arkun Ch'ran))

Jason Rosette

CAMERADO (Cambodia ~ has partnered with LOCATION THAILAND (Thailand ~ to offer unprecedented coverage of SE Asia for all production needs.

=> Now improved handling of heavy production services (studio level grip & electric) for Cambodia, including cross border transfers of gear.

=> Greater range of HD, 35, Super 16 and pro sound...moving beyond local-only availability.

=> Tried and true servicing for shoots at Angkor complex

=> New, great deals with high end post and telecine providers in Bangkok

=> Khmer speaking Barang principal J Rosette (Camerado) continuously based in Cambodia since 2005

Contact CAMERADO at camerado @ for more details or input your production inquiry here:

Film Karavan

KathaKaravan – Call for Entries

KathaKaravan is accepting submissions from filmmakers with projects from or about South Asia that are seeking representation to financiers, producers, distributors, agents and film festival programmers. Entries may be in screenplay, work-in-progress or finished film form. Narratives and documentaries from writers, directors and producers at any career level will be considered.

Submissions accepted year-round. Quarterly deadlines for 2008-2009 are:
August 25, 2008
December 8, 2008
April 13, 2009
August 10, 2009


KathaKaravan is an initiative of FilmKaravan. FilmKaravan discovers, develops and disseminates high-quality South Asian independent films for a global audience through its multi-platform alliances.

shri prakash

i have just completed a fiction on tribal music and and local industry in the age of this global economy and technology.
BAHA- language – Nagpuri with english subtitle. length – aprx. 2 hours
i would like to send it to appropriate film festival and market. will any one help me in this regard.
please find a news paper cutting on the film

Doug Block

Shri, we focus on documentaries here, but the upcoming festivals that come to mind are Toronto, Sundance and Berlin. The advice we usually give is to go after the biggest and best first, especially for your world premiere. Lots of luck.

R.L. Wise

I have a slightly used (one project) Underwater housing for a BVW Betacam SP camera that is surplus to requirements. Could be adapted to Panasonic HD or other camera.

Housing has Anvil shipping case and is located in St Martin.

Valerie Landes


"Natural Heroes" is the Emmy award-winning Public Television series featuring independently produced films and videos with a common theme: real people making a difference for our environment and enhancing the world around us.

We're seeking compelling stories that feature people challenging current environmental standards and conditions. Programs that encourage thoughtful questions and realistic answers, that broaden our understanding of our place in the world.

"Natural Heroes" is now in its fourth season, and is currently being seen by PBS viewers on over 70 affiliates across the United States.

Accepted works will be packaged for broadcast and distributed to Public Television stations. If you feel your film is a good fit, download the submission form, read the call for entries, and send us your film!
NO entry fees. Info at:
Questions? Email naturalheroes{at}

~Valerie Landes
Series Producer
"Natural Heroes"
5850 Labath Ave.
Rohnert Park, CA 94928
1-800-287-2722 x2024

Azad Jafarian

Hello Everyone,

I am a programmer for the 2nd Annual Cinema Verite – Iran International Documentary Film Festival – which takes place in Tehran October 15th-19th, 2008. We're still looking for films to feature in the following categories (see hidden section). Let me know if you or someone you know has a film that fits into any of these categories. We will fly out a number of the filmmakers to Tehran with four nights stay (and we'll take care of visas for you as well). Looking forward to hearing from you.


azad at cimafilms dot com.

America, Post America

America is no longer the strongest, the best, biggest and most powerful country in the world. The American Dream is fading away as the American way of life is slowly forgotten. What will become yesteryear's utopia in the post-American era?

Our Era

Our era is a strange era. Our era, is the era of science, end of darkness and the reigning of machines. Our era, is one of fragmented identities, lost pasts and virtual imagery. But our era, is still an era of fanaticism and oppression, blind politics, dictatorships, injustice and hunger. The documentary film is committed to reflecting our times, our era.

Our Universe

Once upon a time, the nature served as a source of inspiration for artists, philosophers and poets alike. Today, nature is witnessing its own destruction in the hands of an ignorant self-serving mankind with suppressed anger. Are we going to return to nature? Or are we going to destroy it oblivious to our own demise?


Somewhere between dreams and reality, storytelling, direct observation and experimentation, the documentary film greets experimental cinema with open arms. New experiences are born from this union.

Special Screenings

Watching the documentaries in this section is an experience beyond a personal journey of exploration. These screenings take us to the far corners of the world through the eyes of some of the world's most adventurous and worldly documentary filmmakers.

Rahdi Taylor

New funding for documentaries about Social Entrepreneurship

Online discussion about the funding initiative, co-hosted by Cara Mertes, Director of Sundance Documentary Film Program, happening July 15-30 on

The Sundance Documentary Film Program, in partnership with the Skoll Foundation, will provide $1.2 million in film project grants to new feature-length independent documentary films about social entrepreneurship (including the work of specific social entrepreneurs).

Films at any stage of development, production or post-production may apply. Completed films will not be considered. The initiative anticipates funding up to 8 films in the range of $30,000-$150,000 per project. Editorial control must be retained by the filmmaker(s).

Request for Proposals OPEN NOW
Deadline for Submissions: August 15, 2008
Awards announced: December, 2008

Heather Olson

Hi, my name is Heather, and I am in need of some help/advice. I recently graduated from NYU, and was filming my documentary thesis on BASE jumpers (people who jump off of "B"uildings, "A"nntenae, "S"pans, and "E"arth objects such as cliffs and caves using a parachute). It's mostly illegal and very dangerous but I've been able to shoot some really great stuff. You can view bits on my youtube site (

Anyway, to cut to the chase, one of the guys that I've followed around for a year, affectionately nicknamed Maggot, was just in a motorcycle accident this past saturday that has left him paralyzed from the chest down!! That is, unless he can get funding to go to China where they will treat him with their knowledge of stem cell research ...

Doctors have given a deadline of one month before he is deemed permanently paralyzed, and the race to help fund his operation(s) and transportation is underway.

Maggot was the first BASE jumper I had the privilege to meet, and he was with me on my first skydive! Aside from documenting him, he has become a true friend and someone that I see everyone fall in love with. I would absolutely love to follow his journey through this, and I feel like this is really the story I should be following instead of just BASE jumping ... but I've run out of money! Does anyone know of any immediate doc grants or wealthy patrons of documentaries?! I would love any help! I know this is more like a pitch but I'm so frazzled right now by recent events that I just need second opinions. Thanks!!!


Carlos Gomez

Heather, if I knew of any I'd send them your way... But what an intense and crazy story. I want to know what happens! Definitely KEEP THE CAMERA ROLLING. Stem cell research might be an unexpected subject for you to dive into, but given you have a totally engaging and spectacular subject that could be something of a dead end dramatically (BASE jumping), going into Maggot's accident and WHY STEM CELL RESEARCH IN THE US IS IMPORTANT, or more precisely why he has to go all the way to China (if stem cell research is indeed the issue) and wether he makes it or not, might catapult your project to another level.

This may be hard to come to terms with, but helping him get to China shouldn't be your main or only focus. You are a filmmaker, so FILM WHATEVER HAPPENS. Either way you have an extremely powerful flesh and blood example of the real implications of bigotry and narrow minded science policy. Listen, I could go on with this for hours but you shouldn't be reading this. You should be filming Maggot and his doctors and everyone who cares about him and is trying to get him to China.

I don't know, maybe you don't want to just ditch your BASE subject. I'm sure there's a lot more to it than Maggot. But I know that if you manage to combine the two, or rather to start with one story that suddenly, brutally turns into another, it will not only be a faithful record of your experience as a filmmaker, but it will also be a much more powerful film. One that more people will care about and one you'll get more funding for, short or long term. Try stem-cell advocacy groups, they might have ideas.

A quick search brought these up:

And there's a handful of docs on the subject that could probably point you in the right direction.

Maybe if you can convince one of these groups of how powerful an advocacy tool your film would be if you could show how stem cell research did indeed save this person from paralysis, and that he had to go all the way to China to get it, they might help you find the money for the trip.

Christopher Wong

i don't normally advocate people to take out loans on their credit cards, but if that's what you need to do in order to fly to China and accompany your subject, then that's what you need to do. if your gut is telling you that this is one of the key parts to your story, you can't miss it.

it's nice to approach foundations and organizations, but there's absolutely NO way that they are going to give you the money you need that quickly – especially not to a recent film-school grad who doesn't have any prominent broadcast credits. so don't waste your time with foundations at this crucial juncture.

the only other option is some wealthy individuals who are either part of the BASE jumping community, or connected to the stem cell advocacy cause. and then there's always your family and relatives... ;)

Carlos Gomez

Listen to Chris, he knows what he's talking about.

And re-reading your post I realize you didn't need my silly pep-talk. You had already figured all that out. Good luck!

Robert Goodman

The request is to fund this person's treatment not figure out how to pay for an $800 ticket to china.

As much as you care about this person, the "China" solution is a scam.
If there were a way to regenerate spinal cord breaks using stem cells, Teddy Pendergass, the late Christopher Reeve, and many other high profile people who have these injuries would be lining up and it would be major news in the medical journals. That is not true.

A decade ago people in my local film community received a similar request for an A.C. who had lost his sight in an explosion to go to Switzerland for an experimental surgery to replace his eyeballs with cameras wired into his brain.

There are unscrupulous doctors around the globe who will do anything to experiment on your body. I understand because I've been there and considered some wild things – thankfully I wasn't facing life as a quadriplegic.