Public Classifieds and Announcements

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Here's your chance to reach a broad public interested in documentaries. Get the (D-)Word out!

Please include a LOCATION. Spam will be deleted.

As this is a PUBLIC forum, it is also a good idea to write email addresses longhand (person[AT]d-word[dot]com)

Felix Endara

Tenth Annual Media That Matters Premiere, June 2, 7 p.m., New York City

Join us in NYC for the World Premiere of the tenth annual Media That Matters collection! For the last three years, the MTM premiere has sold out. You won't want to miss this very special 10th anniversary event! We have a special treat for MTM attendees this year--free ice cream cones for all, generously donated by the Raw IceCream Company!

Wednesday, June 2, 2010
6:00 p.m.: Doors Open
Arrive early to take part in the impACT salon with some of our presenting partners for Take Action opportunities and a chance to meet the festival filmmakers.

7:00 – 9:00 p.m.: Screening of tenth annual Media That Matters collection
Be among the first to see the 12 new inspiring short films selected this year by our jury of eight incredible activists and media makers.

School of Visual Arts (SVA)
Visual Arts Theatre
333 West 23rd Street, at 8th Avenue

DocuClub has especially-tickets at $10 (plus processing fee). Please use code: MTMDC

Buy your tickets today before they sell out!:

Felix Endara

DocuClub in June!

Our June DocuClub will take place on Wednesday, June 9, 7 p.m., at DCTV, located at 87 Lafayette Street (at Walker; take N/R/Q/6 trains to Canal).

We will be showing a rough cut of "Building Bridges" by Anand Kamalakar. The documentary follows a group of students from a New York City public school who travel to India. They journey across three cities performing as a band, staying with families and encountering all that India has to offer, they come to realize and understand the true meaning of love, friendship, discomfort, humanity and respect. This documentary takes you on an up-close personal colorful journey, revealing the complex and controversial nature of globalization and what it means beyond consumerism.

Director Anand Kamalakar is a Brooklyn-based documentary film director/editor. His documentary "A Match Made in Calcutta" won the Best Film award at the Mumbai International Film Festival, in 2002. The film was broadcast across Europe and Canada. He edited the series American Roots Music for PBS, and edited and executive-produced the feature-length documentary "Heart of Stone," winner of an Audience Award for Best Documentary at Slamdance. Kamalakar has also edited numerous films for The Discovery Channel, National Geographic, New York Times Television, and the networks CBS, NBC and ABC. He was a creative consultant on the Academy Award-winning documentary "Born Into Brothels."

Director of Photography Sachidananda is a cameraman from Bangalore, India, whose primary work has been in the regional feature film industry. He has worked on a several feature films and television projects in the Kannada language.

Our moderator will be Jennifer Merin, who has written about film for 20 years. She currently covers documentary film for, is the film critic for Women’s eNews, and edits Women On Film, the online journal of the Alliance of Women Film Journalists, a nonprofit professional organization of which she is the President. Merin also reports on film and cultural matters for Westwood One Radio Network‘s morning drive news magazine, “America In the Morning,” and for Around The World Radio. She has been a regular reviewer and interviewer for New York Press, and has contributed to She has worked as newswriter/editor for ABC and CNN, and reporter for NBC. Her ongoing weekly column about culture and travel has resided at the Los Angeles Times and Associated Press, among others, and is currently distributed by ArcaMax Publishing. Merin served as a juror at the 2009 IDFA, and is a juror for the 2010 Golden Trailer Awards. She holds an M.F.A. from New York University’s Tisch School of the Arts, and has taught at the University of Wisconsin and University of Rhode Island, lectured worldwide for the U.S. State Department and conducted workshops in New York City correctional institutions.

Admission is free for current DocuClub members and $6 for non-members.

For this screening, only DocuClub members need to RSVP at Our previous screenings have sold out and although admission for non-members is on a first-come, first-serve basis.

Membership is an annual $50 and it includes free admission to all DocuClub events. It takes five minutes to join online:

jade wu

I'm looking for a local HDV shooter (mini-DV tape) with equipment to cover an event in Milwaukee, WI at the Union Cinema on the University of WI-Milwaukee campus on Sunday, June 6 from 2:30pm-7pm.


Erica Ginsberg

Tuesday, June 1 2010, 7:00pm – 8:00pm
Eastern Standard Time (GMT- 5)

Unexpected legal issues can bring documentary production to a halt. The old adage, “The best defense is a good offense” rings true in filmmaking. This webinar with Entertainment and Media Attorney Laura Possessky will highlight the basic tools every producer needs to have in place to ward off legal woes. We will discuss when and how contracts, clearances and insurance may be used to effectively produce a documentary that is commercially viable and ready for distribution. The webinar will include a presentation and a 20 minute live phone Q&A.

This webinar is appropriate for anyone who is making their first independent documentary or for more experienced international filmmakers who want to understand basic legal issues for films in the United States. Since the webinar is conducted entirely online, all you need is Internet access at a computer with speakers or headphones at the time of the webinar and the ability to call in to a U.S. phone number via landline, cell phone, or Skype. There is no software to download.

More info and registration link at

Registration open until 1 hour before webinar begins. This session will NOT be available on podcast so if it's of interest, try to catch the live webinar.

Erica Ginsberg

And if you're in the DC Metro area and prefer face-to-face workshops, Docs In Progress also has one coming up this Saturday:

Getting good audio on location can make or break your documentary and save you countless hours of trying to “fix it in post.” This one day workshop from experienced sound recordist and instructor Michael Boyle will focus on production styles and audio requirements with an emphasis on small crew documentary shooting. Through a mix of lecture and hands-on activities, participants will gain knowledge of the operation and set-up of basic audio equipment. This workshop is recommended for producers, directors or anyone interested in upgrading your production sound knowledge. Prior audio experience is not required. More info and registration link at

Julianna Brannum

Looking for an experienced camera (Sony V1U) and sound person in Portland, Oregon for a shoot on/around Friday, June 18th. Email me ASAP at


Laurie Little

We are looking for a Co-Producer/Director, sound and HD shooters to cover the 1st Annual Disability Pride Parade in the City of San Jose, CA, on July 24th.
We are shooting a film about the 7th annual parade in Chicago and would like this second parade in the country covered for our production.
Please contact me at
This is the link to the vimeo site showing our film on last years parade.

Please also contact:
Sarah Triano, director of the California parade,
Executive Director
Silicon Valley Independent Living Center
2202 N. First Street, San Jose, CA 95131
408-894-9041 (v)
408-457-8559 (vp)
408-894-9050 (fax)

John Bush

Producer for Documentary Feature

I am a theatrically released, PBS distributed filmmaker seeking an experienced New York City based producer to help create and launch a highly topical documentary about darkness, redemption and wisdom. In addition to professional producer skills, the candidate must have a proven trackrecord of fund raising for films and garnering financial support from corporations, foundations and philanthropists.

This is between a 12 to 18 month long project. Now in development, so far approximately 30% of the film has been shot, a solid treatment with promotional pieces has been created and locations selected. This is an ideal time to bring your talents, drive and vision to a very important work. This project has NYFA as a fiscal sponsor and the producer salary is generously budgeted.

Please send resume, links to your work and a cover letter with an emphasis on your fund raising successes to

Corey Wascinski

Calling all documentary film lovers in the NYC area!!

I'd like to announce the Screening and World Premier of "THE MINUTEMEN" Movie at the Brooklyn International Film Festival. Next screening, this Thursday June 10th, followed by a Q&A with the filmmakers.

"The Minutemen" is a documentary about ten overly vigilant patriots who took it upon themselves to protect the Southern U.S. border from what they consider an "invasion" of Illegal Immigrants.

We follow these self-appointed watchdogs as they fight to regain their sovereignty as well as their own sanity in an isolated and dangerous landscape. Shot over the course of four years, the film examines the motivations of and relationships between these conflicted patriots.

With the new Arizona immigration law raising the public consciousness about border issues, "The Minutemen" Movie gives insight into the role citizen watchdogs play in influencing government policy.

10:00PM Thursday June 10th, 2010

285 Kent Ave. at S 2nd st
Williamsburg, Brooklyn 11211



Michelle Cove

Can anyone recommend a good color correctionist in LA? I'm the director of a feature-length doc and need someone who has own DaVinci or access to one – and can deal with a docmaker's budget. Thanks!

Lynn Cassaniti

Office/Personal Assistant for Documentary Filmmaker in Mid-Town

Seeking highly organized self-starter and problem-solver part-time (2-3 days per week). Support filmmaker with clerical work including correspondence, accounts payable/receivable, filing and other administrative projects. Experience and interest in film production a must. Assist in pre-production and budgeting of documentary and feature narrative script in development. Proficiency in Mac computers required, Microsoft Office including Word, Excel and PowerPoint. Legal knowledge helpful but not necessary.

Good opportunity to learn in creative environment. Salary $15/hr. Please submit cover letter in body of email and resume as attachment to Lynn, email: Please put your name in the subject line. Thanks.

Please check our website for further information:

iLan Azoulai

Intern Production Assistant for documentary filmmaker in Boston.

Seeking a highly motivated, organized individual to be Production Assistant and help on a documentary film in it's pre-production/production stages about the sex trade industry. knowledge about the subject matter and an activist is a plus but not a must. experience in logging and capturing/organizing clips, transcribing is a plus. Knowledge of Finalcut and Macs is a must.

Our office is located in the midst of a filmaking environment so this is a great opportunity to network and get into the heart of the industry.

Contact me at, and please attach your resume in your first email.


Jilann Spitzmiller

The Sundance Documentary Fund will be the topic of the next DOC TALKS at DocuMentors. We'll be talking to Rahdi Taylor and Win-Sie Tow on Weds June 16th at 5pm Pacific. It's free, but you must register. Go to and click on FREE TELESEMINAR on the homepage to get all the info. The call will be recorded if you can't make it at the call time.

Christopher Allen

UnionDocs Collaborative-Call For Entries

I’m writing to inform you of an opportunity for emerging documentary artists, called the UnionDocs Collaborative Program. The Brooklyn Rail recently pointed to the success of the first year of this program in an article titled, "UnionDocs Brings Autuers Together," ,and we are are quite excited to be opening applications up for six new participants in 2010-2011.

The UnionDocs Collaborative is a one or two-year program; both a rigorous platform for exploring contemporary approaches to the documentary arts, and a process for developing an innovative group project. The program focuses on providing what we believe are the most effective educational resources for individuals at the beginning of their careers:

* Mentorship toward the production of an original work.

* Dynamic interaction among a network of talented peers.

* Direct contact and structured exchange with visiting artists.

* Exposure to a wide variety of practices and models.

* Regular group critique sessions.

* Exposure through a toured exhibition and/or publication of annual project.

The first iteration of this year’s UDC project, "Documenting Mythology,” premiered at Doc Fortnight 2010: The Museum of Modern Art's International Festival of Nonfiction Film, and will be presented in Boston next month by The Sensory Ethnography Lab at Harvard University. A wider international distribution effort and tour is planned for the coming fall.

The UDC has been set up to be affordable and scheduled for individuals who work full-time or freelance. UnionDocs is able to offer an intensive learning experience at a price that one might expect to pay for just a single credit at a university. Some residency options are available for individuals considering moving to the NYC. The application deadline is August 1st, 2010 and further details are available online:

Thanks for your consideration,

Christopher Allen


322 Union Ave.
Brooklyn, NY 11211

Felix Endara

DocuClub in July!

Our July DocuClub will take place on Wednesday, July 7, 7 p.m., at DCTV [], located at 87 Lafayette Street (at Walker; take N/R/Q/6 trains to Canal).

We will show a rough cut of THE LULU SESSIONS by S. Casper Wong. Raised in a small farm in Vermont, Dr. Louise Nutter, or LuLu, entered college at 15-years old, and by 29, was a star scientist invited to set up the first national cancer research center in Taiwan. The chain-smoking, hard-living, beloved professor has just discovered a new anti-cancer drug when she finds out she is dying of breast cancer herself at 42. Shot during the last 1.5 years of LuLu’s life, the film is a raw, intimate, yet surprisingly humorous story about the filmmaker showing up for her best friend, and together, testing the limits of their bond while taking on life’s ultimate adventure: death.

Director S. Casper Wong is a New York-based writer, director and producer of narrative and documentary films. Her narrative feature screenplay, OO1, a suspense drama, won the Grand Jury Prize for Best Screenplay at Urbanworld Film Festival and two Alfred P. Sloan Foundation Screenwriting Grants – at New York University and the Hamptons International Film Festival Screenwriter’s Lab. Her narrative short film, SHIRTS & SKINS, was awarded the Special Jury Prize at the Taipei Film Festival, and was licensed to The Independent Film Channel for a three-year run. It is now part of the Tribeca Film Institute’s curated Reframe Collection. She is currently in production on a feature documentary about East-West integrative medicine and the global health crisis. Prior to receiving her M.F.A. from New York University’s Graduate Film Program, Wong was Senior Counsel for IBM’s Western Region, based in San Francisco, and holds a B.S. in Bio-medical Engineering from Columbia University. THE LULU SESSIONS is her feature documentary debut.

Our moderator will be Howard Weinberg, who helps other filmmakers improve their films as a script-doctor. An award-winning independent documentary filmmaker, he educates and mentors students at Columbia University’s Graduate School of Journalism. His PBS documentary credits include SPORTS FOR SALE, FIRST THINGS FIRST, ONE PLUS ONE, and NET.LEARNING. An innovative television journalist, he was a Founding Producer of THE MACNEIL/LEHRER REPORT; Executive Producer of LISTENING TO AMERICA WITH BILL MOYERS; and a producer-writer for SUNDAY MORNING and SIXTY MINUTES, both on the CBS network. He also has taught at New York University and Dartmouth, and created a documentary film series at Columbia. The Daily News called the subject of his film SID AT 90, the “undisputed star” of the 2003 New York Jewish Film Festival. He is president of The New York Film/ Video Council, a non-profit serving the independent media community. His current major documentary project is TV LAB: LICENSE TO CREATE, an educational feature about an innovative era of public television from 1972-1984.

Admission is free for current DocuClub members and $6 for non-members.

Please RSVP at [].

Membership is an annual $50 and it includes free admission to all DocuClub events. It takes five minutes to join online:

Doug Block

In reply to Felix Endara's post on Fri 18 Jun 2010 :

I've been working with Casper on The LuLu Sessions as a consultant. All I can say is LuLu is one of the greatest documentary subjects I've ever seen on film. And the film reminds me a lot of Silverlake Life. You don't want to miss this.

Siddharth Pillai

Voices from the Waters 2010

The 5th International Film Festival on Water


Bangalore Film Society, Arghyam, Svaraj- Society for Voluntary Action Revitalization and Justice, Finger Lakes Environmental Film Festival, Ithaca College, USA (FLEFF), Mountainfilm in Telluride, Alliance Francaise de Bangalore, Charter of Human Responsibilities, Samvada, Karnataka Chalanachitra Akademi and Water Journeys- Campaign for Fundamental Right to Water are organizing the fifth edition of the largest international film festival on water- Voices from the Waters 2010.

2010 begins as a critical year not just for Voices from the Waters which completes five years of existence but for environmental consciousness on the whole, as the thoughts and concerns regarding the existence and well-being of our rivers and streams are now being voiced in the mainstream. Now more than ever, there is a call for awareness, dialogue and debate to inform the actions on which the survival of our lifeworlds depend. We are at an instant of much possibilities and hope. We are in search of the voices that will guide us to a critical departure from the current paradigms towards our vision of better futures.

Voices from the Waters 2010: The 5th International Film Festival on Water, the biggest, most dynamic and diverse platform of its kind invites you to be a part of the festival by contributing short, documentary, animation and feature films on water and related issues.

If you have a film in under any of the following categories:

Water Scarcity,

The Dams and the Displaced,

Water Harvest,

Water Struggles/Conflicts,

Floods and Droughts,

Global Warming and Climate Change,

Impact of Deforestation on Water Bodies,

Water, Sanitation and Health,

River Pollution,

The Holistic Revival of Water Bodies,

Water and Life.

You can consider sending it to us. Please note that the categories are loosely conceived and your film does not have to necessarily adhere to them while focusing on the larger theme of water.


Entries to the Film Festival must include:
1. DVD of the film (with English subtitles, if required)
2. A completed and signed copy of the entry form
3. Three high-resolution stills of the film (can be sent via email)
4. A high-resolution photograph of the director (can be sent via email)
Promotional materials are welcome

There is no entry fee.

All submitted films will be subject to a selection process by eminent members of the festival jury.

Applicant must pay for shipment of films to Voices from the Waters.

Submitted films will not be returned but will be part of Voices from the Waters library, one of the largest resources in the world for films on water.

Voices from the Waters is conceived as a travelling film festival. The selected films after being premiered in Bangalore at the main event will be taken across to educational institutions, non governmental organizations, small towns and villages across India.

Last date for submissions: July 10th 2010


Bangalore Film Society

No.33/1-9, Thygaraja Layout

Jaibharath Nagar

M.S. Nagar P.O

Bangalore 560 033



gina nemirofsky

Hello D-Worders! I want to introduce the D-Word community to an exciting participatory documentary event I am helping to produce. One Day On Earth is an online community of photographers, filmmakers, students, and inspired individuals all teaming up with the goal of creating a more accurate picture of life on this planet.

On October 10th, 2010 (10.10.10), thousands of people from every nation around the world will film their perspective and contribute their voice to the largest participatory media event in history; the event will result in a feature documentary and online video archive that will showcase the diversity, conflict, tragedy, and triumph that can occur in one day on earth.

We would love to include the talents and perspectives of the D-Word community in our world document. Learn more about One Day on Earth and sign up to participate at:

John Burgan

Very ambitious plan, Gina. Asking 50,000 participants to film what inspires them most is going to generate enough footage to last an aeon! How do you intend to keep focus and create a thread to hold it all together?

Kelcey Edwards

Seeking a DP with a Canon 5D MII for a half-day shoot in Montreal this Friday, 6/23/10 and possibly one day next week (exact date TBD). Please send a brief bio and link to an online reel to producer Kelcey Edwards at We will be filming in a comic book press for the documentary feature THE HISTORY OF THE UNIVERSE AS TOLD BY WONDER WOMAN

Thank you

Matt Kohn

On Tuesday, there will be a historically important memorial service that I will be covering for a feature documentary.

I am looking for shooters who have EX-1/3s or similar cameras to shoot with me from about 8:30 AM until about 1 PM.

Volunteers are truly appreciated. I can offer up to $50 for each camera person as a gratuity. Plus credit as "additional camera" when the film is completed.

I can tell you more about the sad, and yet exciting business of this day, when you tell me about your availability.

Thank you.