An IFC Rant (Jul 19, 00)
To coincide with the DV Theater premiere of Home Page, I'm asked to write about the joys and angst of web distribution for ifcRant
A Watershed Moment (Jun 28, 00)
A four-camera interview for the Independent Film Channel gets me reflecting on my good fortune...
Multitasking (May 15, 00)
Too busy to fret, but not to wonder...
The Deal Thingie (Apr 6, 00)
With distribution for Home Page falling into place, is this curtains for The D-Word Journal?
Convergence Poster Boy (Feb 27, 00)
Looking to converge with like-minded souls...
Powerful Beyond Measure (Dec 30, 1999)
A thought for the millenium...
Judgement Day (Nov 19, 1999)
The film opens theatrically today. I'm about to read the New York Times review. Gulp.
Doing My Duty (Oct 11, 1999)
Jury duty comes at the worst possible time. Can The D-Word wrangle his way out?
Vacating From Myself (Aug 29, 1999)
Sometimes you need to get lost to find yourself (and other Hallmark thoughts)...
Organic Theater (Jul 3, 1999)
Thoughts on the eve of the HBO broadcast premiere
Act! Up (Jun 6, 1999)
a computer glitch jeapordizes an upcoming screening... and The D-Word's mental
stability
Playing with the Big Boys (May 31, 1999)
HBO finally sets a date and it's getting down to the wire...
Better Than Mean Guns (May 3, 1999)
A manic-depressive D-Word is mired in never-ending work mode when strangers touch
him from afar and... wow, tiredness is forgotten!
Ooops! (Mar 31, 1999)
To spin or not to spin...
Revolutionary (Mar 1, 1999)
Fist clenched in air, The D-Word pursues the filthy lucre
Sundance in a Nutshell (Feb 1, 1999)
I'm back... for less than a day before I take off for Rotterdam
Director's Statement (Jan 6, 1999)
We're putting together a press kit for Sundance. They always include a
Director's Statement. Here's mine.
Congratulations (Dec 3, 1998)
a bittersweet note from Julie
The Phone Rings (Nov 25, 1998)
Sundance calling???
I See You Just in My TV! (Nov 23, 1998)
''Creetings'' from
Finland...but none from Sundance
IFFM Diary -- part two (Oct 8, 1998)
The first industry screenings -- the triumphs, the tragedies...
IFFM Diary - part one (Oct 6, 1998)
Now that the film is finished, it's time to get it out into the world. A long
week at The Independent Feature Film Market is the beginning of a long process...
The Digital Storytelling Festival (Sep 18,
1998)
On the morning of a special screening (and the opening day of the IFFM), I sum up
my thoughts on the process so far.
Fix it in the Mix (Aug 24, 1998)
where we find out if a perfectionist can ever let go of his film...
Quality Time (Jul 19, 1998)
Wherein I vacate for two weeks... and feel guilty as sin
Web98 (Jun 29, 1998)
reactions from the first public screening
Having Fun Now (Jun 15, 1998)
The first public screening is 8 days away. We're not ready.
Picture Locked (May 7, 1998)
I silently beg her to please, pleeeease tell me it's fine...
Hotty! (Apr 8, 1998)
A juicy article in the NY Times gives the D-Word his 15 megabytes of fame
Eureka!... I Think (Mar 18, 1998)
The opening works... I think. I hope. I pray.
Convergence in the Air (Feb 25, 1998)
the future is arriving all too soon
What'd You Die?! (Feb 1, 1998)
sweet compliments, scene-stealing cockatiels, stressful deadlines and, yeah, a
death...
Fodder for the Gristmill (Dec 24, 1997)
The D-Word has become part of the story...
Digging Deeper (Dec 2, 1997)
The film needs a new opening and I need to dig deeper within
First Reckoning (Nov 20, 1997)
We see the first rough cut for the first time at a DocuClub screening with 40
others. Gulp.
Naked (Oct 24, 1997)
Oooo, I think I've evolved...
Freefalling (Sep 28, 1997)
Wherein, to my deep chagrin, I discover that a story is more than the sum of its'
parts
Debbie's Domain (Aug 30, 1997)
Repeat after me: film is a collaborative medium
Well Engaged (Aug 27, 1997)
Work work work but the opening isn't working
Are You Serious?!? (Aug 17, 1997)
Wired Online raises the hype level a notch but I'm busy with index cards
State of the Art (Aug 7, 1997)
The D-Word seeks out
Well Well Well... (Aug 1, 1997)
The D-Word is enticed into intensive media interaction at the expense of his own
Web journal
Bored No More (Jul 24, 1997)
The hit of a link leads to an unexpected place
The Heck With Bravo! (Jun 30, 1997)
Wherin I'm reminded of my proper place in the vast hierarchy.
The Fire This Time (Jun 20, 1997)
Electric Minds goes down in flames... for now
Paris Calling (Jun 11, 1997)
A week of transcontinental producing begins...
How to Bake a Movie (May 30, 1997)
Chasing the secret ingredients for success
Shooting Mom (May 21, 1997)
We don't hold grudges in my family. Oh, no.
Generations II (May 15, 1997)
Reflections on turning 44
Looking For Bobo (May 8, 1997)
the great existential dilemna
Generations (Apr 30, 1997)
A DocuClub screening triggers thoughts about...
In Avid Persuit (Apr 23, 1997)
of a
If Lucy Fell... (Apr 11, 1997)
I get clobbered on the nose and some needed perspective
Independent's Day (Apr 2, 1997)
wherein a teeny tiny bug crawls up my ass
Cinema Fabrique (Mar 31, 1997)
Truth and Betrayal in the Editing Room
What I Need Most (Mar 27, 1997)
The producer's lament
The D-Word's Movin'... (Mar 26, 1997)
Testing... Is anyone out there???
Blocked (Mar 25, 1997)
I need to write...
Flu You! (Feb 20, 1997)
What a pissy mood I'm in
Sundance (Jan 27, 1997)
Park City Without the Hype
Packing for Sundance (Jan 17, 1997)
I'm on another panel -- The Internet Without the Hype: What Filmmakers Need to
Know Now
Re-Entry Blues (Jan 6, 1997)
You don't really wanna know...
Checking My Mind (Dec 22, 1996)
I leave in 6 hours for a long-awaited vacation
Director's Vision (Dec 16, 1996)
I should be working on my proposal
Boring! (Dec 9, 1996)
All promise and nothing new...
Something Very Revealing (Sep 26, 1996)
I'm not ready. I'm not ready.
Post-IFFM Blues (Sep 23, 1996)
That ol' Monday morning after feeling
Going to Market (Sep 16, 1996)
The search for funding
Suddenly a Genius (Sep 13, 1996)
We win an Emmy for Jupiter's Wife
Helzapoppin' (Aug 22, 1996)
and beez are buzzin
The Really Juicy Stuff (Aug 13, 1996)
On being an online diarist